Sure to win Sigler younger fans, this is the first book of a new trilogy. Em and her group of teenagers end up in an...
Teenagers break out of coffins in Sigler’s (Pandemic, 2014, etc.) latest sci-fi thriller.
A girl who thinks she's waking up on her 12th birthday finds herself trapped inside a coffin instead. She escapes into a room full of coffins and opens them to find others like her, boys and girls who think they're 12 but have the mature bodies of older teenagers. None of them remember who they are or where they came from. They're all wearing the same clothes, which are too small for them. On their coffins are names, of which they have no memory. The girl who was first to come out is apparently named M. Savage. The others call her Em, and appoint her as their leader. Em is charged with getting the group out of this underground complex, full of horrifying scenes and corpses. They all want to find food, water, and "Grownups" to take care of them. Eventually, they come upon a larger group of teenagers like them, who are just as lost and frightened. As they realize there are no adults who will save them, they come of age quickly, growing stronger as a unit to fight for their own survival. Em is a well-developed and interesting heroine, who questions her own leadership while trying to squelch some of her darker thoughts and ambitions. There is well-drawn suspense in the mystery of where they are, why they're there, and what kinds of monsters have created the carnage they see everywhere, though some of their wanderings through the endless rooms and hallways of the complex become repetitive.
Sure to win Sigler younger fans, this is the first book of a new trilogy. Em and her group of teenagers end up in an interesting place, creating plenty of energy for Book 2.Pub Date: July 15, 2015
ISBN: 978-0-553-39310-1
Page Count: 368
Publisher: Del Rey/Ballantine
Review Posted Online: June 21, 2015
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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