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BURNTWATER

A thoughtful journey into little-known spots along the Colorado Plateau. Thybony, a northern Arizonabased writer locally known for a comprehensive guide to hiking the Grand Canyon, has an affinity for places not found on any map. The Burntwater of his title is one, a place whose Navajo name commemorates a shepherd's having melted ice there by building a circle of fire around it; elsewhere he takes us to other poetically named places like Crazy Jug Point, Tsegi, and Oraibi. Thybony is on a quest to understand the traditional Navajo blessing H¢zh¢ naninaadoo (``Go in beauty''), a formula that younger Navajo consider old-fashioned but that stayed with Thybony from the moment he first heard it. ``Only later did I learn about the Navajo idea of beauty and how it moves through life like a wind,'' he writes. ``It's not the beauty of surfaces alone, but an indwelling beauty that enfolds and completes, a life-restoring beauty.'' Informed by a deep knowledge of anthropology, geology, and history, Thybony's quest takes us inside the rock home of the Hopi elder Don Talayesva, author of the classic autobiography Sun Chief, ``a man running from angels''; into haunted side-canyons along the Colorado River, where Thybony affectingly recalls his brother's death in an airplane crash over Grand Canyon; and into the backcountry of western New Mexico, the birthplace of the atomic bomb and of a world ``where the dead could no longer be counted, where numbers gave way to sheer mass, where death became nameless.'' The author's love of the land is evident at every turn, and his essays deepen our understanding of both these mysterious places and of people who seek beauty within and without them. Gracefully written, this is outstanding reading for armchair travelers and habituÇs of the Four Corners country alike.

Pub Date: April 10, 1997

ISBN: 0-8165-1456-9

Page Count: 125

Publisher: Univ. of Arizona

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1997

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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