Classic (in more senses than one) Turow.
Much-practiced legal proceduralist Turow (Innocent, 2010, etc.) steps onto Joseph Campbell turf in his latest mystery.
Turf is everything in the world Zeus Kronon—a charged name, that—has carved out for himself in Kindle County, turf that, of course, figures in Turow’s oeuvre as Yoknapatawpha County figures in Faulkner’s. Rolling in drachmas, he has just one problem: a wild maenad of a daughter, full name Aphrodite (“There have not been many occasions he has seen Dita when she is not smashed”), who has eyes not just for one of a pair of twin brothers, Paul and Cass Gianis, but both. That spells trouble, as twins in mythology always do. Fast-forward a few decades. Cass has been doing time for her murder, while Paul, “followed by two scrubbed young underlings,” re-enters the scene as a legal whiz and rising politico. Enter the Sapphic former FBI agent Evon Miller, who, working for real estate magnate Hal (that is, Herakles) Kronon—and who minds mixing Shakespeare with Aeschylus?—is determined to get to the bottom of whether Cass or Paul did poor Dita in so brutally. It would spoil the story to do more here than whisper the name Medea in what she eventually turns up. Turow has obvious fun with his mythological conceit, giving, for instance, a local GOP power the sonorous, if unlikely, name Perfectus Elder; and if sometimes the joke wears a little thin, the process of discovery takes nice and sometimes unexpected twists. Amid the supermodernity of DNA tests, the austerity of case law and the tangles of contemporary politics (Hal, horrors, even threatening to vote for Obama), Turow never loses sight of the ancient underpinnings of his story, with a conclusion that places Hal, Zeus, Hermione and Aphrodite in the vicinity of Olympus, their true neighborhood.
Classic (in more senses than one) Turow.Pub Date: Oct. 16, 2013
ISBN: 978-1-455-52720-5
Page Count: 416
Publisher: Grand Central Publishing
Review Posted Online: April 26, 2013
Kirkus Reviews Issue: June 1, 2013
PROFILES
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
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