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SAFE AS LIGHTNING by Scudder H. Parker Kirkus Star

SAFE AS LIGHTNING

Poems

by Scudder H. Parker ; illustrated by Adelaide Tyrol

Pub Date: June 9th, 2020
ISBN: 978-1-57869-031-2
Publisher: Rootstock Publishing

This debut collection of poetry offers an amble through life and nature.

“There is nothing tidy about this volume,” writes Parker in his opening letter to readers. Yet even though the poems are not ordered by “history, subject matter, literary form, or style,” there is a satisfying sense of cohesion to the collection. The author approaches a broad range of subjects, from nature and religion to families and food—he even writes his own obituary—but the poems remain united by Parker’s sedately measured narrative voice. In a coming-of-age poem entitled “Conversion,” he describes his father, a Vermont farmer who became a minister, “in the confidence of his black robe / pouring the unction of his words / over the congregation.” The author’s smooth-edged observations serve similarly as a balm, soothing the painful questions of existence. In “No Doubt,” he writes a maxim for life that epitomizes his poetic worldview: “This is my present: to be in love with everything, and more / with lovely things that will be quickly spent; / still more, because the loss is permanent.” Parker’s sense of peace and determination to savor life are contagious. His poetry takes joy in the overlooked details of flora. In “Leeks,” he first provides the gardener’s perspective of watching the vegetables grow, noting whimsically: “The leaves become their /stockings underground. / By fall the stems are layers / of thin socks tugged up on / each other—no feet at all.” That is followed pleasingly by the viewpoint of the cook: “I will / have thick soup before / December’s iron freeze.” The poem is sensuous and transporting—leading readers to the vegetable patch and later placing the steaming potage before them. Throughout the volume, the poet’s use of simile is exquisitely pictorial and refreshingly innovative: “My words bounced / like butterflies off a rhinoceros.” But there are occasional falters toward cliché: “The high narrow wheels rode through like Jesus / walking on the water.” While several illustrations by Tyrol do not greatly inform or improve the reading experience, this is nonetheless an enchanting collection.

Tenderly observant and rewarding poetry.