Both a paean to the sci-fi genre and a captivating return to a space station in a complex universe.

Bud by the Grace of God

SEQUEL TO WELCOME TO THE MADHOUSE

This second volume in Sasaki’s (Welcome to the Madhouse, 2015) Grace Lord series finds the surgeon confronting a strange new intelligence and an old nemesis.

Following the defeat of a deadly virus in the first installment, Grace continues to serve on the medical space station Nelson Mandela, attending to soldiers of the Union of Solar Systems. As a normal routine returns to the lives of Dr. Hiro Al-Fadi (Grace’s boss) and Bud (a singularly capable and handsome android devoted to her), the station receives a visit from famous vid star and director Jude Luis Stefansson. When Grace meets Jude, she learns that he isn’t heroically gorgeous like his fictional creation, Jazz Hazard, but rather a regular, middle-aged man. Jude is at the station because he’s heard of a process by which the mind can be transferred to a robust, new android body. The staff informs him that the experimental technology is not for private use, for any price. Elsewhere, a ghostly presence stalks the station’s corridors, undetectable by the artificial intelligence running the Nelson Mandela. When a murder occurs outside the armory, thoughts turn to the vile Dr. Jeffrey Nestor, who’s sworn revenge on Grace and Bud for their roles in thwarting him during the viral outbreak. For this sci-fi sequel, Sasaki returns with all the winning elements that fans of Star Trek and Isaac Asimov should love, including a large, snarky cast; a robot conflicted by his burgeoning humanity; and animal-adapted soldiers (treated by the station’s dedicated doctors). Sasaki once more explores the ethics of sentient robots and expanded human consciousness in lines like “Does your android, who feels, thinks, remembers just like you, have any rights at all?” The author also treats lovers of sci-fi horror to a brief splatterfest reminiscent of the film Alien but ultimately introduces a new intelligence to the cast. Throughout, Sasaki displays a propulsive inventiveness as she weaves grand ideas with humor and soul.

Both a paean to the sci-fi genre and a captivating return to a space station in a complex universe.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Dog Ear Publisher

Review Posted Online: July 28, 2016

Kirkus Reviews Issue: Sept. 1, 2016

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Assembly-line legal thriller: flat characters, lame scene-setting, and short but somehow interminable action: a lifeless...

SPLIT SECOND

Two defrocked Secret Service Agents investigate the assassination of one presidential candidate and the kidnapping of another.

Baldacci (The Christmas Train, 2002, etc.) sets out with two plot strands. The first begins when something distracts Secret Service Agent Sean King and during that “split second,” presidential candidate Clyde Ritter is shot dead. King takes out the killer, but that’s not enough to save his reputation with the Secret Service. He retires and goes on to do often tedious but nonetheless always lucrative work (much like a legal thriller such as this) at a law practice. Plot two begins eight years later when another Secret Service Agent, Michelle Maxwell, lets presidential candidate John Bruno out of her sight for a few minutes at a wake for one of his close associates. He goes missing. Now Maxwell, too, gets in dutch with the SS. Though separated by time, the cases are similar and leave several questions unanswered. What distracted King at the rally? Bruno had claimed his friend’s widow called him to the funeral home. The widow (one of the few characters here to have any life) says she never called Bruno. Who set him up? Who did a chambermaid at Ritter’s hotel blackmail? And who is the man in the Buick shadowing King’s and Maxwell’s every move? King is a handsome, rich divorce, Maxwell an attractive marathon runner. Will they join forces and find each other kind of, well, appealing? But of course. The two former agents traverse the countryside, spinning endless hypotheses before the onset, at last, of a jerrybuilt conclusion that begs credibility and offers few surprises.

Assembly-line legal thriller: flat characters, lame scene-setting, and short but somehow interminable action: a lifeless concoction.

Pub Date: Sept. 30, 2003

ISBN: 0-446-53089-1

Page Count: 406

Publisher: N/A

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 15, 2003

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