Cyberpunk shock meets infinite romantic regret in this dark, engrossing, and ultimately doleful SF tale.
A nanotechnology engineer’s mind, uploaded online, reboots after spending three years in a netherworld and must try to remember what went wrong with the experiment.
Kelly’s debut SF novel offers a first-person narration from entirely within a software-based environment called the Aethyr. Pittsburgh nanotech engineer Patrick “Paddy” Riordan was part of a pioneering experiment in the late 2020s by a cutting-edge/punk rock–style team of young coders, neurologists, and biochemists. The group planned to digitize a human brain and put its consciousness online, theoretically resulting in immortality, godlike perceptions, empathy, and power. The subject was supposed to be the team’s financier, terminally ill venture capitalist Andrew Damon. But Paddy, suffering chronic gastric pain, volunteered to leave flesh behind and go first even if that meant being clinically euthanized and having his brain sectioned. After three years in a limbolike state, Paddy regains awareness and his mortal appearance (complete with Iron Maiden T-shirt) in the Aethyr’s artificial program/simulation and its seedy, noirish city of New Eridu. (Here, as in the porn-dominated web, most places seem to be sex clubs and strip joints.) Surrounded by sinister phantoms and avatars that may either be people or AIs, Paddy finds that vital parts of his memory are missing. Moreover, a warrior type, calling itself the Varyag and declaring itself his defender, hints that the researcher who was the radiant love of Paddy’s life, MIT prodigy Zinaida, aka Zed, is in danger. Somehow in this incorporeal state, Paddy can help her. But is the Varyag lying? What happened to Andrew? What really happened to Paddy? For that matter, what’s happening right now? If this tale had been told in a more straightforward fashion, it might have had less impact. But in Kelly’s long-end-of-the-cyberscope gambit, starting with the outcome and leapfrogging back in time, the story is an intriguing puzzle of transhumanist tech, philosophy, metaphysics, and unreliable narrators. The narrative delivers a mounting sense of dread as digital entities broadly hint to Paddy that he will deeply regret learning the truth if he chooses to continue his quest. While describing the rubber reality of Aethyr is a tough proposition, SF readers raised on The Matrix and Black Mirror (the recipient of a shoutout) and Neal Stephenson’s Snow Crash should acclimate to the immaterial milieu.
Cyberpunk shock meets infinite romantic regret in this dark, engrossing, and ultimately doleful SF tale.Pub Date: Jan. 30, 2020
ISBN: 978-1-73412-910-6
Page Count: 248
Publisher: Self
Review Posted Online: May 12, 2020
Kirkus Reviews Issue: June 15, 2020
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A deceptively quiet beginning rockets to a thrilling finish, preparing us for the next volume’s undoubtedly explosive finale.
The third installment of a necromantic science-fantasy series continues working at puzzles of identity and the meaning of loyalty.
Previously (Gideon the Ninth, 2019; Harrow the Ninth, 2020), sullen but brilliant necromancer Harrowhark consumed the soul of Gideon, her foulmouthed cavalier, to become a Lyctor, a semi-immortal officer in the Emperor Undying’s court. In a desperate attempt to preserve Gideon’s identity, Harrow deliberately erased the other woman from her memories, leaving herself confused to the point of delusion, unable to access her full powers, and vulnerable to enemies both within and without the Emperor’s court. This novel introduces Nona, a sweet but extraordinarily naïve young woman who appears to be in Harrowhark’s body but with Gideon’s golden eyes, lacking both necromantic abilities and any memories prior to six months ago. Nona’s been happy despite her precarious living situation in a war-torn city threatened by the necromantic Houses and their foe, the Blood of Eden. Unfortunately, what fragile peace she has cannot last, and everything depends on recovering Nona’s memories and returning to Harrowhark’s home in the Ninth House, there to finally release the deadly threat lurking in the Locked Tomb. But who is Nona, really: Harrowhark, Gideon, a blend of both young women…or someone else entirely? (The reader will figure it out long before the characters do.) Meanwhile, the Emperor and Harrowhark meet in dreams, where he recounts events of 10,000 years ago, when, as a newly fledged necromancer, his conflict with the corrupt trillionaires who planned to escape the dying Earth and leave the remaining billions to perish led to nuclear apocalypse. It’s pretty gutsy of Muir to write two books in a row about amnesiac characters, particularly when it may very well be the same character experiencing a different form of amnesia in each. This work initially reads like a strange interlude from the series, devoted to Nona’s odd but essentially quotidian routine in the midst of war, riot, and general chaos. But the story gradually gathers speed, and it’s all in service to a deeper plot. It is unfortunate that the demands of that plot mean we’ve gotten a considerably smaller dose of Gideon’s defiantly crude, riotously flouncy behavior in the two books subsequent to the one which bears her name.
A deceptively quiet beginning rockets to a thrilling finish, preparing us for the next volume’s undoubtedly explosive finale.Pub Date: Sept. 13, 2022
ISBN: 978-1-25-085411-7
Page Count: 480
Publisher: Tordotcom
Review Posted Online: July 7, 2022
Kirkus Reviews Issue: Aug. 1, 2022
BOOK REVIEW
BOOK REVIEW
© Copyright 2023 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
