This unholy anthology can’t quite break free of its tropes, but it’s certainly something to look at.
A ghoulish collection of short sci-fi, fantasy, and horror stories that explore strange and haunting possibilities.
In this macabre collection, each story borrows from and blends genre fiction, fairy tales, and historical events, as in “The Alamo Incident,” which re-creates the Alamo Mission as a casualty of eldritch beings roaming the American countryside. Most of the plots adapt a common trope (the boy who cried wolf during the Black Death, zombies who are stunned by Shakespeare, an alien invasion at a forced conversion therapy center) and tie it off with the requisite calculated twist. To fulfill that pattern, many of the protagonists display an unerring ability to commit murder or be murdered at the last minute. Sometimes, Eads’ (Lord Byron’s Prophecy, 2015, etc.) premise both carries the plot and allows for particularly apt descriptions to shine. Of those moments, “And the Raindrops—Its Tears” stands out. It follows a sinner in a dystopian civilization where none may look at the sky for fear of going insane upon sight of a sky demon. In other stories, the genres pile up into a terrifying heap. The most emblematic is certainly “Riveter,” in which Eva Braun falls in love with a poster of Rosie the Riveter and tries to bring her to life through some classic unethical sci-fi experiments in the Third Reich. For the stories where Eads sticks to character development and description, his writing sets a pleasing rhythm. But when he tries for metaphorical flourishes, they tend to be too on-the-nose: In “The Dreamist,” dream-projection technology has made skilled dreamers famous, and the narration can’t help itself but repeatedly point out that the story’s surreality makes it feel “like a dream.”
This unholy anthology can’t quite break free of its tropes, but it’s certainly something to look at.Pub Date: June 3, 2017
ISBN: 978-1-59021-656-9
Page Count: -
Publisher: Lethe Press
Review Posted Online: July 28, 2017
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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