Highly recommended for fans of thrillers in the vein of Dan Brown’s and Robert Harris’ works.
In Heary’s debut thriller, the Catholic Church goes to great lengths to protect its reputation while the Kremlin is determined to destroy it.
When history teacher Maximilian Wolf in Bonn, Germany, discovers a written agreement, or concordat, between the Vatican and Adolf Hitler among his late father’s possessions, the Vatican’s senior clerics quickly dismiss it as a forgery. Dated June 1, 1939, it almost exactly follows the style and format of another, genuine document, the Reichskonkordat of 1933, which is enough to raise suspicions of foul play. Crucially, the new concordat, which purports to have been signed only three months prior to Germany’s invasion of Poland, hints at an anti-Russian pact between the Nazis and the Holy See, which would have shocking political ramifications. Its inauthenticity is likely, but the potential for it to be used as a propaganda tool worries the Vatican enough that they’re willing to pay Wolf for it. The head of the Vatican’s police force, Inspector Gen. Enzo Rossi, is assigned the task of recovering the document; when he arrives for a meeting with Wolf, he instead finds two dead bodies—and no concordat. Assuming, rightly, that the document has fallen into Russian hands, and that the Russians intend to use it as political leverage against the church, Rossi sets off, with the aid of CIA agent Cathy Doherty, on a time-sensitive mission to track down the thief. Overall, this novel is an impressive addition to a well-stocked thriller market. Fast-paced, intelligent conspiracy tales are hardly thin on the ground, nor are novels about Vatican-related scandal, so it takes something special to stand out from the crowd, which Heary provides here. His strengths lie in his ability to fuse dramatic tension, political intrigue, and even wry humor into a narrative that manages to be simultaneously informative and escapist. His attention to detail is particularly noteworthy; the years that he spent living in Moscow enable him to write with an authority that eludes many other thriller authors mining similar material.
Highly recommended for fans of thrillers in the vein of Dan Brown’s and Robert Harris’ works.Pub Date: June 20, 2018
ISBN: 978-1-78901-344-3
Page Count: 416
Publisher: Troubador Publishing Ltd.
Review Posted Online: Feb. 11, 2020
Kirkus Reviews Issue: April 1, 2020
Review Program: Kirkus Indie
BOOK REVIEW
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
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