Irish writer MacMath£na makes his US debut with a story collection that tackles—with rueful satire—a place that has the ``climate for revolution, but not the weather.'' MacMath£na's passion is always under control, but the stories pulse with a sense of frustration and anger at the ways in which those Irish who want a more progressive country are continually thwarted by ancient superstitions, rigid religious beliefs, and a pervasive sense that nothing can or will improve. In ``Wedge,'' a character who accidentally kills his alcoholic and abusive father observes that ``Life is like a tragic drama on television. There are two ways to play it, backwards or forwards. I prefer backwards because that way you always finish with a happy beginning.'' Stories like the ``Queen of Killiney'' (a typically corrupt politician suddenly finds himself pregnant and has to go to England for an abortion), ``Prisoner of the Republic'' (the failure to change the divorce laws ends a long love affair), and ``Waiting for Dev'' (a village awaiting the famous leader De Valera realizes that it is no better off than it was under the British) are all concerned with overtly political themes. Two notable and especially poignant evocations of the Irish dilemma are the title story and ``The Banquet of Life.'' In the first, a committed atheist must deal with the grief of his young daughter at the death of her mother as relatives invoke all the old religious beliefs and superstitions. In the second, Brother Fergus—a teacher who believed that ``absolute obedience kept the soul from `getting notions' '' but who also liked figures, discovering how much he would earn in the outside world for the work he is doing—begins to construct an imaginary life in which he is no longer ``outlawed from the Banquet of Life.'' Some pieces here don't travel as well as others, and one or two are marred by obvious sentimentality, but mostly this is an accomplished debut.
Pub Date: May 12, 1993
ISBN: 0-86327-103-0
Page Count: 172
Publisher: Dufour
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1993
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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