Britisher Faulks's first US publication: an observant, unpretentious, and moving story of a man's life to age 40. Recovering from wounds in Italy in 1944, Cpl. Raymond Russell meets—and falls in love with—a young girl named Francesca, who after the war becomes his wife and moves with him back to England. In 1950, the two have a son named Pietro, their only child, who 12 years later loses his beloved mother to cancer. From these beginnings, the novel unfolds, becoming the story of Pietro's life in 26 chapters, each named for its setting and arranged in alphabetical (but not chronological) order, starting, for example, with Anzio in 1944 (where Pietro's father was wounded and met Francesca), going on to Backley in 1950, where Pietro was born, from there to Colombo, Sri Lanka, in 1980, where Pietro is on a photographic assignment, then back to Dorking in England, where Pietro's mother dies in 1963, and so on. The alphabetic device is offered (partly) in homage to a provincial fellow soldier of Pietro's father's who was awed by travel and ``said he wanted to spend a night in a place beginning with every letter of the alphabet before he died.'' If there's risk of the scheme becoming artificial, Faulks keeps the danger well at bay: his observant eye and intelligent voice easily and entirely captivate the reader, who follows Pietro from school in Fulham (1964) on through first love (Lyndonville, Vermont, 1971); from the pathos of a nervous collapse in Quezaltenango, Guatemala, (1974) on to the meeting of his wife- to-be in Ghent (1981); and from there through another decade of a sensitive and sometimes emotionally precarious life in which, say, descriptions of office politics and of a father's death can be, in their different ways, equally compelling and poignant. Life as it is—plain, human, real—made into the finest kind of art.
Pub Date: April 6, 1993
ISBN: 0-316-27547-6
Page Count: 288
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1993
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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