An effectively told, low-key tale of an arduous, sometimes-frightening road to fame.
A Haitian-born man learns that making it in the cutthroat American music industry may require black magic and blood sacrifice in Mafate’s (When the Cobra Strikes, 2012, etc.) thriller.
When 16-year-old Raymond Pata immigrated to the United States from Haiti, he had aspirations for stardom. At 24, he finally decides to move to California in pursuit of a music career. His mother, Jean Pata, who’s built a successful cleaning business, refuses to support Raymond’s endeavor since he dropped out of college. So Raymond, on his own in California, takes a dubious gig driving stolen luxury cars. But even with his talent and musical equipment, breaking into the music biz seems unachievable. As per his mother’s recommendation, Raymond sees Baba Brima, a powerful witch doctor who can put him closer to fame. Brima performs a ritual that requires that Raymond appease gods with a blood sacrifice—committing a handful of murders to ensure the success of his band, The Rhythm Makers. This sparks serious media attention as authorities, linking the murders by their ritualistic aspect, hunt a serial killer. But it’s a mysterious, alluring woman who flusters Raymond. Following their initial encounter, she vanishes, and his obsession with her could ultimately be his downfall. Mafate’s novel originated as a screenplay, which is evident from the story’s myriad scenes of dialogue and minimal action. But the well-devised dialogue propels the story and provides seamless background. Though Raymond’s later homicidal acts significantly curtail any sympathy readers may feel for him, Mafate doesn’t glamorize the murders. Furthermore, references to African deities such as Nana Bulukuand Mawuare respectful; whatever deeds a believer such as Raymond commits are on the individual, not the religion. Supernatural elements crop up in the final act, but like much of the preceding story, they’re shrewdly understated.
An effectively told, low-key tale of an arduous, sometimes-frightening road to fame.Pub Date: Sept. 20, 2016
ISBN: 978-1-62137-892-1
Page Count: 336
Publisher: Virtualbookworm.com
Review Posted Online: Aug. 28, 2018
Kirkus Reviews Issue: Oct. 15, 2018
Review Program: Kirkus Indie
Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.
Pub Date: June 13, 1995
ISBN: 0-399-14059-X
Page Count: 400
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1995
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...
The traumatic homecoming of a wounded warrior.
The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart.
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.Pub Date: Jan. 31, 2012
ISBN: 978-0-312-57720-9
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Dec. 18, 2011
Kirkus Reviews Issue: Jan. 1, 2012
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
