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THE QUIET BOAT RIDE

AND OTHER STORIES

From the Fox + Chick series

A fine addition to the series, this can be enjoyed without having read the earlier installment and will be appreciated by...

Fox and Chick return in this follow-up to The Party: And Other Stories (2018).

Echoing the poignant if occasionally antagonistic friendships of such odd couples as Arnold Lobel’s Frog and Toad and Tad Hills’ Duck and Goose, Ruzzier has again accomplished the task of telling three funny, meaningful stories using markedly simple vocabulary that occurs almost entirely as dialogue between the two characters in speech bubbles. The temperamental differences between even-tempered, organized Fox and anxiety-prone, excitable Chick play out in both word and image. Appealing, whimsical pen-and-ink illustrations are softly washed with color and are featured throughout in panel layouts of various sizes, some stretching to fill the page, in the style of a scaled-down graphic novel. When, in the final tale, Chick spoils Fox’s plans to catch the sunrise by holding up their departure in puzzling out what supplies will be needed (“Should I take my hammer?” asks Chick), Fox’s expression is a marvel of bewilderment, and readers may fear Chick has pushed it too far. In the end, though, the pair enjoy whiling the day away together and catch the sunset instead, bringing the gentle message of learning to live with, and even appreciate, one another’s quirks full circle.

A fine addition to the series, this can be enjoyed without having read the earlier installment and will be appreciated by new readers. (Early reader. 4-7)

Pub Date: March 5, 2019

ISBN: 978-1-4521-5289-9

Page Count: 56

Publisher: Chronicle Books

Review Posted Online: Jan. 14, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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RUBY FINDS A WORRY

From the Big Bright Feelings series

A valuable asset to the library of a child who experiences anxiety and a great book to get children talking about their...

Ruby is an adventurous and happy child until the day she discovers a Worry.

Ruby barely sees the Worry—depicted as a blob of yellow with a frowny unibrow—at first, but as it hovers, the more she notices it and the larger it grows. The longer Ruby is affected by this Worry, the fewer colors appear on the page. Though she tries not to pay attention to the Worry, which no one else can see, ignoring it prevents her from enjoying the things that she once loved. Her constant anxiety about the Worry causes the bright yellow blob to crowd Ruby’s everyday life, which by this point is nearly all washes of gray and white. But at the playground, Ruby sees a boy sitting on a bench with a growing sky-blue Worry of his own. When she invites the boy to talk, his Worry begins to shrink—and when Ruby talks about her own Worry, it also grows smaller. By the book’s conclusion, Ruby learns to control her Worry by talking about what worries her, a priceless lesson for any child—or adult—conveyed in a beautifully child-friendly manner. Ruby presents black, with hair in cornrows and two big afro-puff pigtails, while the boy has pale skin and spiky black hair.

A valuable asset to the library of a child who experiences anxiety and a great book to get children talking about their feelings (. (Picture book. 4-6)

Pub Date: Sept. 3, 2019

ISBN: 978-1-5476-0237-7

Page Count: 32

Publisher: Bloomsbury

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: June 1, 2019

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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