A sublime tale that makes its alpine setting uncanny, terrifying, and captivating.
In this debut novel, a valley in France where tourists flock possesses a darkly bizarre history, including mysterious disappearances.
During Chamonix’s annual Ultra Trail du Mont Blanc, American runner Cody spots several monkeys. As primates don’t typically live in France, he assumes he’s hallucinating. But Swede and fellow runner Harry “Nils” Nilsson has seen monkeys as well, and a local legend claims they were part of a plane crash in the Alps decades ago. When it later appears Cody has gone to verify the monkeys’ existence, Nils undertakes a treacherous climb to find him. Tourists to the alpine town, primarily skiers and climbers, sometimes vanish without much in the way of explanation. Some attribute these disappearances to animals kept by Eloise, an elderly local woman—creatures so frightening the townsfolk insist they wear bells so people can hear them when they’re close. But humans, too, can be menacing. Nicolas, for one, who’s spent many years in Chamonix as a pornographic filmmaker, ultimately develops such a disdain for tourists that he takes drastic measures. While locals are wary of outsiders, they may stand up for a family of Iraqi refugees when a political party is intent on pushing its anti-immigration policies. Divided by season into four parts, this novel assembles a colorful cast of characters. Though the spotlight continually shifts, there’s cohesion, as players consistently appear even when not the narrative focus. Pietras offers a smartly scripted tale that’s rich in historical significance, including a flashback to the World War II era, and discernible but nuanced themes, particularly an environmental message. The story’s surrealism stems predominantly from instances—generally hints—of the animals in the Alps. While some elucidation, like a potential origin for the monkeys, gears the story toward realism, it doesn’t make the creature encounters or periodic deaths any less unsettling.
A sublime tale that makes its alpine setting uncanny, terrifying, and captivating. (collage-style map, collages, author’s note, acknowledgements, list of sources, author bio)Pub Date: March 1, 2020
ISBN: 978-1-73444-660-9
Page Count: 330
Publisher: Mediastopheles LLC
Review Posted Online: April 27, 2020
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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