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Willa Brown & the Challengers

An engaging, thorough novel about forgotten heroes of aviation history.

Awards & Accolades

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Perez’s debut historical novel fictionalizes the story of three pioneering black aviators who changed the face of aeronautics.

When one thinks about America’s aviation heroes, the Wright brothers, Charles Lindbergh and Amelia Earhart come to mind. Lesser known are Cornelius C. Coffey, John C. Robinson and Willa B. Brown, real-life African-American historical figures who revolutionized aviation from the late 1920s through World War II. Brown was a schoolteacher in Gary, Ind., with a mind for machines, while Robinson and Coffey were working as well-regarded but underpaid auto mechanics. All had a desire to fly, and their paths crossed at a Walgreens drug store, when Willa, working temporarily as a waitress and cashier, overheard the two young men talking about a plane they had built. They insisted that she come see it, and the rest is history. Coffey and Robinson studied for and obtained pilot’s licenses (despite a stated “no colored” student policy), becoming the first black men in the United States to do so. They ran their own hangar in Robbins, Ill., eventually relocating to Chicago and founding the Coffey School of Aeronautics in 1935 with Willa Brown as Director, making it the only integrated flight school at the time. With the support of powerful parties—including first lady Eleanor Roosevelt—the three continued to break Jim Crow–era boundaries, including the U.S. Army’s race barrier, by managing the first black-operated government-funded flight school during World War II. For all of their accomplishments, it’s hard to believe that more people don’t affiliate them with the history of flight. Perez, a filmmaker, paces the novel well, tackling more than a decade’s worth of change in the field of aeronautics and its place in a racially divided country. But he balances more serious matter with his characters’ joy of flying as they soar at more than 300 mph, doing barrel rolls and loop-the-loops. Although the mechanical detail can sometimes be tedious, the author keeps the story moving with ample dialogue and glimpses into his protagonists’ personal lives. Unfortunately, with so much buildup leading to World War II, relatively little literary real estate is given to the characters’ post-war years.

An engaging, thorough novel about forgotten heroes of aviation history.

Pub Date: Nov. 22, 2012

ISBN: 978-0979088100

Page Count: 402

Publisher: Script & Post Script

Review Posted Online: May 28, 2013

Kirkus Reviews Issue: July 1, 2013

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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