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BEWARE OF GOD

STORIES

Too brief by far, but with enough sparks to give an idea of the author’s irreverent revelations. Overall, a fresh voice, and...

Shades of the absurd, Orthodox Jewish style, in a nutty little debut collection of 14 stories.

An 18-year-old Lubavitcher yeshiva student wakes up one morning in the form of a “very large goy” and terrorizes the community of bickering rabbis in “The Metamorphosis.” In “God Is a Big Happy Chicken,” newly dead Yankel Morgenstern ascends to heaven to discover that God is—surprise!—Chicken himself, “who gets his feed filled in the morning, and his droppings cleaned in the afternoon and that’s all He really wants to know.” And though Yankel is allowed to return to tell what’s what to his devoted family, still praying to a non-fowl deity, he can’t bring himself to disabuse them of their cherished ideals. In “Bobo the Self-Hating Chimp,” a small male chimpanzee in the Bronx Zoo achieves “total conscious self-awareness” one day when he recognizes that he feels shame—thanks to a “bright red erection”—and has a kind of breakdown that leads him to reject his previous monkey existence as meaningless and embrace suicide. In his theatrically deadpan moments, humor writer Auslander revisits Beckett, most notably, while a fear-and-loathing urban sensibility à la Woody Allen also springs to mind, along with Kafka, in these grim, seemingly silly pieces that possess a direct comic hit. “Holocaust Tips for Kids” is a marvelously twisted catalogue of grisly historical facts mixed with juvenile naïveté and fear: “Anne Frank hid in her attic for over two years. / Maybe I should pack more food.” Many of the stories skewer in some fashion what may be more contentious and solipsistic aspects of Judaism. In the last tale, for example, “It Ain’t Easy Bein’ Supremey,” a balding junior accountant, Epstein, creates two slavish golem from the Kabbalah for Dummies only to watch them kill each other over finer points of law.

Too brief by far, but with enough sparks to give an idea of the author’s irreverent revelations. Overall, a fresh voice, and wonderfully fearless.

Pub Date: April 1, 2005

ISBN: 0-7432-6456-8

Page Count: 208

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2005

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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