An entertaining futuristic tale with a thoroughly established, cool alien species.

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FUGITIVE PLANET

In Greenburg’s SF debut, Earth in 2030 may be in danger of colliding with a rogue planet moving through the solar system.

A Hawaiian space observatory captures a possible asteroid that’s getting brighter. When it’s clear that it’s moving at an astonishing speed, astronomer Matt Olsen confers with colleagues in Texas. The object is not an asteroid but a rogue planet headed toward Earth. The planet may be slowing down, which also means an alien species may be “steering” it. Meanwhile, the inhabitants of Planet Babek, thanks to their dying sun, have been living in caves for more than 2 millennia. They’re using thousands of thrusters to move to another solar system, and they’re fully aware of humans’ presence on the blue planet. But many on Babek, which hasn’t seen war in 50-plus generations, despise humanity’s propensity for violence. Some even suggest eliminating the humans. But while the inhabitants vote against such an act, someone on Babek sabotages a good number of thrusters. This will force the planet, in order to get into orbit, to redirect itself using Earth’s gravity, which will likely have catastrophic results on the humans’ world. Greenburg’s novel, which launches a prospective series, sets an impressive pace from the start. Along with the countdown to the potential collision, the suspense builds as Babek inhabitants race to reconnect thrusters and attempt to warn humans of the impact. The author retains simplicity with minimal characters (Earth is primarily represented by U.S. scientists) and concise descriptions. At the same time, the aliens’ complex manner of communication is “translated” into English. This fascinating species converses by flashing their colorful feathers, and though the winged beings are certainly birdlike, they sport six eyes. Delving into the aliens’ history offers surprising reveals, including how they’ve retained peace for so long and created their machines, which may prove deadly against humans. A cliffhanger ending leaves plenty of room for a sequel or two.

An entertaining futuristic tale with a thoroughly established, cool alien species.

Pub Date: Aug. 20, 2019

ISBN: 978-1-09-508555-4

Page Count: 231

Publisher: Self

Review Posted Online: Oct. 19, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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A love letter to the power of books and friendship.

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THE GIVER OF STARS

Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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