A likable journey that is sensitive to the triumphs and agonies of being a 13-year-old girl.
Shannon just wants to get through eighth grade in one piece—while feeling like her own worst enemy.
In this third entry in popular author for young people Hale’s graphic memoir series, the young, sensitive overachiever is crushed by expectations: to be cool but loyal to her tightknit and dramatic friend group, a top student but not a nerd, attractive to boys but true to her ideals. As events in Shannon’s life begin to overwhelm her, she works toward finding a way to love and understand herself, follow her passions for theater and writing, and ignore her cruel inner voice. Capturing the visceral embarrassments of middle school in 1987 Salt Lake City, Shannon’s emotions are vivid and often excruciating. In particular, the social norms of a church-oriented family are clearly addressed, and religion is shown as being both a comfort and a struggle for Shannon. While the text is sometimes in danger of spelling things out a little too neatly and obviously, the emotional honesty and sincerity drawn from Hale’s own life win out. Pham’s artwork is vibrant and appealing, with stylistic changes for Shannon’s imaginings and the leeching out of color and use of creative panel structures as her anxiety and depression worsen.
A likable journey that is sensitive to the triumphs and agonies of being a 13-year-old girl. (author's note, gallery) (Graphic memoir. 10-14)Pub Date: Aug. 31, 2021
ISBN: 978-1-250-31755-1
Page Count: 320
Publisher: First Second
Review Posted Online: June 10, 2021
Kirkus Reviews Issue: July 1, 2021
An unusually personal view of World War I’s early days, conveyed by new illustrations grafted to a French soldier’s chance-found diary.
Dated Aug. 3 to Sept. 5, 1914, the anonymous diary tersely records mustering, train rides, weary marches, efforts to scrounge up provisions and billeting, much digging of trenches, and advances and retreats under enemy artillery fire. Aside from occasional thoughts of family left behind, the writer’s observations are detached in tone—even gruesome sights of a human leg caught in a tree and heavily wounded patients in a hospital ward are only noted in passing. Along with portraying how he rescued the account from a pile of curbside rubbish, Barroux illustrates the diary with large panels of heavy-lined drawings made with butcher’s pencil and a pale yellow varnish wash. Most depict somber figures in uniform, drawn with geometrical noses that give them the look of puppets or mannequins, trudging through sheets of rain or sketched rural settings. The diary’s abrupt end leaves the writer wounded but complaining of boredom as he recuperates; the artist closes with sample pages from a handwritten album of songs found with the document. In a passionate introductory note, Michael Morpurgo invites readers to “weep” over these glimpses of war. American children, at least, may not shed many tears, but they should come away feeling closer to understanding what that century-old conflict must have been like to those who fought in it. (Graphic memoir. 11-14)
Pub Date: July 1, 2014
ISBN: 978-1-907912-39-9
Page Count: 96
Publisher: Phoenix/Trafalgar
Review Posted Online: May 3, 2014
Kirkus Reviews Issue: May 15, 2014
African-American Geo cuts a suitably chiseled figure in the pictures, but he doesn’t get enough to do and so is really no...
Superhero Geo introduces readers to plate tectonics.
Reviewing information on his way to school for a big geology test, young George transforms himself into “Geo,” a uniformed superhero with a rocket-propelled skateboard and a robotic canine sidekick. In his imaginary adventure, he leaps over sidewalk “faults,” swerves away from “tsunamis” splashed up by a passing truck and saves an elderly lady from falling into an open manhole “volcano.” Meanwhile, supported by visual aids provided by inserted graphics and maps, Geo goes over the convergent, divergent and transform movements of tectonic plates, subduction, magnetic “stripes” paralleling oceanic ridges and a host of other need-to-know facts and terms. All of this is illustrated in big, brightly colored sequential panels of cartoon art hung about with heavy blocks of explication. After the exam comes back with, natch, a perfect score (“I guess all that studying paid off”), Lee, a geophysicist, abandons the story for a final 10 pages of recap and further detail on plate tectonics’ causes, effects and measurement—closing with a description of what geologists do.
African-American Geo cuts a suitably chiseled figure in the pictures, but he doesn’t get enough to do and so is really no more than a mouthpiece—perhaps there will be more of a plot in his next adventure. (online projects, index) (Graphic nonfiction. 10-12)Pub Date: Oct. 1, 2014
ISBN: 978-1-59327-549-5
Page Count: 40
Publisher: No Starch Press
Review Posted Online: Aug. 19, 2014
Kirkus Reviews Issue: Sept. 15, 2014
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