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NEW STORIES FROM THE SOUTH

THE YEAR’S BEST, 2005

That said, the pleasures here outdistance the shortcomings by a country mile.

The familiar annual celebrates its 20th anniversary with 19 stories that pull their imaginative starter cultures from below the Mason-Dixon Line.

With an introduction by Jill McCorkle, whose account of an exchange with a Northern waiter who tells her iced tea is “out of season” is worth the price of admission, the collection contains seven must-not-miss stories, three by relative newcomers and four by seasoned pros. Stephanie Soileau’s star-turn “The Boucherie,” about a group of Cajun old-timers who conspire to hide an AWOL cow from the authorities while making a refugee family from Sudan (which they all think is in India) feel right at home, is sure to clinch her a first-book contract if she doesn’t have one already. Two other writers to watch, Ethan Hauser and Rebecca Soppe, also offer fiction that feels decidedly rooted in a 21st-century South, with, respectively, “The Charm of the Highway Median” and “The Pantyhose Man.” From the trusty Southern tale-tellers, Allan Gurganus conjures a retired librarian’s path to sexual enlightenment in “My Heart Is a Snake Farm”; Moira Crone reveals the consequences of never saying anything not nice in “Mr. Sender”; Robert Olen Butler solves one of the great riddles of our time in “Severance”; and Judy Budnitz haunts the reader with her story of a Civil War surgeon’s desperate, final act in “The Kindest Cut.” Anniversaries are helpful milestones for pausing and taking stock of traditions to ensure they’re thriving and not headed down a worn path. In that spirit, it’s important to note that several stories here, including work by Gregory Sanders, Lucinda Harrison Coffman and Janice Daugharty, are familiar as kudzu along a Georgia highway.

That said, the pleasures here outdistance the shortcomings by a country mile.

Pub Date: June 10, 2005

ISBN: 1-56512-469-3

Page Count: 320

Publisher: Algonquin

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: June 1, 2005

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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