Now that this excellent series is firmly established among must-read annuals, Ravenel should skip the apologetic introductions in which she repeatedly tries to justify the regional basis for her anthology. The evidence speaks for itself here—16 stories by or about southerners that embrace a wide range of literary and geographical experience. Many of the stories focus on coming-of-age in the South, from Nanci Kincaid's teenage girls hanging out at a Tallahassee movie theater (``This is Not the Picture Show'') to Jill McCorkle's shy young girl who lives vicariously through the postcards form her wild, older sister (``Waiting for the Hard Times to End''). Young people deal with domestic tragedy in Barbara Hudson's ``The Arabesque,'' the story of two sisters confronted by their mother's madness and early death; in Rick Bass's ``In the Loyal Mountains,'' a beautifully written profile of the narrator's big-spending Texan uncle who commits suicide rather than suffer the consequences of his shady business dealings; and in Reynolds Price's overwrought ``His Final Mother,'' a boy's meditation on his mother's sudden death. Lee Smith's ``Intensive Care,'' the story of a former high-school nerd who pursues an improbable passion, confronts death with a healthy dose of schmaltz. The least convincing narrative voices here include the successful Vietnamese immigrant in Robert Olen Butler's ``Relic,'' the young grandmother of Bobbie Ann Mason's typically hard-luck ``With Jazz,'' and the drunk and sexually inadequate good old boy of Larry Brown's ``Big Bad Love.'' The strongest pieces range from Mark Richard's hilarious and sad tale of boys in an orphanage hospital on Christmas Eve (``The Birds for Christmas'') to Susan Starr Richards's unusual paean to porch life and the strange bonds of sisters in ``The Screened Porch.'' Robert Morgan's story of a Civil War-era stone mason (``Poinsett's Bridge'') and Thomas Phillips Brewer's riff on southern junkies (``Black Cat Bone'') add an interesting dimension to a somewhat homogeneous volume. Peter Taylor's graceful and evocative ``Cousin Aubrey'' easily earns its lead-off position. Once again, southern fiction mostly at its best.
Pub Date: Oct. 1, 1991
ISBN: 0-945575-82-3
Page Count: 264
Publisher: Algonquin
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 15, 1991
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
For all the portentous metaphors (keys and locks appear in every story) and all the convoluted and fabulist narrations,...
These nine casually interlocking stories, set in a familiar yet surreal contemporary world, overflow with the cerebral humor and fantastical plots that readers have come to expect from Oyeyemi (Boy Snow Bird, 2014).
The opener, "Books and Roses," sets the tone: stories within stories and a fittingly cockeyed view of Gaudi’s architecture as two women in Barcelona share their experiences in abandonment while searching for the loved ones who left them behind. Most of the volume takes place in England, with nods toward Eastern Europe. In " 'Sorry' Doesn’t Sweeten Her Tea," weight-loss clinician Anton becomes increasingly involved in raising his boyfriend’s two adolescent daughters, Aisha and Dayang, while fishsitting for a traveling friend. The story seems straightforward until Anton’s friend falls in long-distance love with a mystery woman who's entered his locked house without a key and Anton’s co-worker Tyche helps Aisha recover from a crisis in disillusionment by casting a spell from the Greek goddess Hecate. Tyche returns as a student puppeteer in "Is Your Blood as Red as This?," which layers creepy echoes of Pinocchio onto realistically genuine adolescent sexual confusion. Readers realize Tyche’s fellow students Radha and Myrna have ended up sexually happy-ever-after when they pop up in "Presence" to lend their shared apartment to a psychologist so she and her grief-counselor husband can carry out the ironically eponymous science-fiction experiment that forces the psychologist to accept the absences in her life. While Aisha appears as a filmmaker employing puppets in "Freddy Barrandov Checks…In?," Dayang stars as ingénue in "A Brief History of the Homely Wench Society," a post-feminist romantic comedy about warring men's and women’s societies at Cambridge. Several stories are pure fairy tale, like "Dornicka and the St. Martin’s Day Goose," a twisted take on "Little Red Riding Hood,” and "Drownings," in which good intentions defeat a murderous tyrant.
For all the portentous metaphors (keys and locks appear in every story) and all the convoluted and fabulist narrations, Oyeyemi’s stories are often cheerfully sentimental.Pub Date: March 8, 2016
ISBN: 978-1-59463-463-5
Page Count: 304
Publisher: Riverhead
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
A mixed bag of stories: some tired but several capable of poetically piercing the heart.
Science fiction author (The Wall of Storms, 2016) and translator (The Redemption of Time, Baoshu, 2019) Liu’s short stories explore the nature of identity, consciousness, and autonomy in hostile and chaotic worlds.
Liu deftly and compassionately draws connections between a genetically altered girl struggling to reconcile her human and alien sides and 20th-century Chinese young men who admire aspects of Western culture even as they confront its xenophobia (“Ghost Days”). A poor salvager on a distant planet learns to channel a revolutionary spirit through her alter ego of a rabbit (“Grey Rabbit, Crimson Mare, Coal Leopard”). In “Byzantine Empathy,” a passionate hacktivist attempts to upend charitable giving through blockchain and VR technology even as her college roommate, an executive at a major nonprofit, fights to co-opt the process, a struggle which asks the question of whether pure empathy is possible—or even desired—in our complex geopolitical structure. Much of the collection is taken up by a series of overlapping and somewhat repetitive stories about the singularity, in which human minds are scanned and uploaded to servers, establishing an immortal existence in virtuality, a concept which many previous SF authors have already explored exhaustively. (Liu also never explains how an Earth that is rapidly becoming depleted of vital resources somehow manages to indefinitely power servers capable of supporting 300 billion digital lives.) However, one of those stories exhibits undoubted poignance in its depiction of a father who stubbornly clings to a flesh-and-blood existence for himself and his loved ones in the rotting remains of human society years after most people have uploaded themselves (“Staying Behind”). There is also some charm in the title tale, a fantasy stand-alone concerning a young woman snatched from her home and trained as a supernaturally powered assassin who retains a stubborn desire to seek her own path in life.
A mixed bag of stories: some tired but several capable of poetically piercing the heart.Pub Date: Feb. 25, 2020
ISBN: 978-1-982134-03-7
Page Count: 432
Publisher: Saga/Simon & Schuster
Review Posted Online: Dec. 8, 2019
Kirkus Reviews Issue: Jan. 1, 2020
BOOK TO SCREEN
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