by Sharelle Byars Moranville & illustrated by Anna Alter ‧ RELEASE DATE: April 1, 2003
A young field mouse grows and changes in a less-than-satisfying story about family. Spring asks her GranDora if she can have a family heirloom, a purple ribbon. She gets an explanation that heirlooms connect them to family members who have left and a list of names of those who have moved on or were eaten by a variety of animals. A comment like this would seem to be a foreshadowing of the dangers ahead. Now older, Spring, who will soon have mice of her own, is now wearing the purple ribbon as she collects seeds. A storm carries her away from GranDora’s house and she must deliver her babies in an abandoned car. Each chapter from this point shares a short story of how Spring and her four young mice live in the car, yet each chapter has little connection to the next. The mice do have a short run-in with a cat and a short separation from each other that causes their mother to go for GranDora. At the end, the mice basically walk their way back to GranDora’s home. Moranville’s title and theme and Alter’s soft pencil pastels raise hopes for a heartwarming family tale. Without a satisfying climax, the last chapter falls entirely flat. Little to pull readers along. (Fiction. 6-9)
Pub Date: April 1, 2003
ISBN: 0-8050-6659-4
Page Count: 80
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2003
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by Lulu Delacre ; illustrated by Lulu Delacre ‧ RELEASE DATE: Sept. 17, 2019
A welcome, well-researched reflection of cultural pride in the early-reader landscape.
The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí.
Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. A glossary at the beginning sets readers up well to understand the Spanish vocabulary, including accurate phoneticization for non-Spanish speakers. The stories focus on Rafi and Rosi’s relationship within a musical context. For example, in one chapter Rafi finds out that he attracts a larger audience playing his homemade güiro with Rosi’s help even though he initially excluded her: “Big brothers only.” Even when he makes mistakes, as the older brother, Rafi consoles Rosi when she is embarrassed or angry at him. In each instance, their shared joy for music and dance ultimately shines through any upsets—a valuable reflection of unity. Informational backmatter and author’s sources are extensive. Undoubtedly these will help teachers, librarians, and parents to develop Puerto Rican cultural programs, curriculum, or home activities to extend young readers’ learning. The inclusion of instructions to make one’s own homemade güiro is a thoughtful addition. The Spanish translation, also by Delacre and published simultaneously, will require a more advanced reader than the English one to recognize and comprehend contractions (“pa’bajo-pa-pa’rriba”) and relatively sophisticated vocabulary.
A welcome, well-researched reflection of cultural pride in the early-reader landscape. (Early reader. 7-9)Pub Date: Sept. 17, 2019
ISBN: 978-0-89239-429-6
Page Count: 64
Publisher: Children's Book Press
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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by Lulu Delacre ; illustrated by Lulu Delacre
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by Lulu Delacre ; illustrated by Lulu Delacre
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by Lulu Delacre ; illustrated by Lulu Delacre
by Kwame Alexander & illustrated by Tim Bowers ‧ RELEASE DATE: Sept. 1, 2011
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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by Kwame Alexander & Deanna Nikaido ; illustrated by Melissa Sweet
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by Kwame Alexander ; illustrated by Dare Coulter
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