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THE FORGETTING

A well-crafted fable for our time: as we focus on filling the plate in front of us, we risk forgetting where it came from,...

Every 12 years, the people of Canaan lose their memories and must reconstitute identity and relationships from books recording their personal histories—but with her memory secretly intact, Nadia dreads the chaos and violence the imminent Forgetting will bring.

Last time, Nadia saw her father replace his family’s books with fakes, leaving her mother to raise three daughters alone. Their residual unease has led her mother and older sister to reject Nadia, now 18; only little Genivee accepts her as family. Isolated by what she knows and can’t tell, Nadia’s become a silent—but observant—loner. She’s witnessed floggings and the plight of the Lost: those who’ve awakened without books, nameless, forced into servitude, penned into fenced quarters at night. She’s alarmed at Jonathan’s growing power within the governing Council. When handsome, sociable Gray, the glassblower’s son, discovers she forages outside city walls, he blackmails her into taking him along. Smarter and tougher than she’d thought, he becomes an ally and friend—but Gray has secrets too. Effective worldbuilding and strong characterization (even minor players have emotional depth) add substance to the fast-paced plot. A cosmetic resemblance to blockbuster teen dystopias allows Cameron to toy slyly with readers’ expectations, but this is no retread. The Forgetting ensures racial categories have no meaning, but characters do display differences in skin and hair color (Nadia is blonde with light eyes).

A well-crafted fable for our time: as we focus on filling the plate in front of us, we risk forgetting where it came from, what it cost, and what that means. (Science fiction.12-16)

Pub Date: Sept. 13, 2016

ISBN: 978-0-545-94521-9

Page Count: 416

Publisher: Scholastic

Review Posted Online: June 21, 2016

Kirkus Reviews Issue: July 1, 2016

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ONCE A QUEEN

Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development.

A portal fantasy survivor story from an established devotional writer.

Fourteen-year-old Eva’s maternal grandmother lives on a grand estate in England; Eva and her academic parents live in New Haven, Connecticut. When she and Mum finally visit Carrick Hall, Eva is alternately resentful at what she’s missed and overjoyed to connect with sometimes aloof Grandmother. Alongside questions of Eva’s family history, the summer is permeated by a greater mystery surrounding the work of fictional children’s fantasy writer A.H.W. Clifton, who wrote a Narnialike series that Eva adores. As it happens, Grandmother was one of several children who entered and ruled Ternival, the world of Clifton’s books; the others perished in 1952, and Grandmother hasn’t recovered. The Narnia influences are strong—Eva’s grandmother is the Susan figure who’s repudiated both magic and God—and the ensuing trauma has created rifts that echo through her relationships with her daughter and granddaughter. An early narrative implication that Eva will visit Ternival to set things right barely materializes in this series opener; meanwhile, the religious parable overwhelms the magic elements as the story winds on. The serviceable plot is weakened by shallow characterization. Little backstory appears other than that which immediately concerns the plot, and Eva tends to respond emotionally as the story requires—resentful when her seething silence is required, immediately trusting toward characters readers need to trust. Major characters are cued white.

Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development. (author’s note, map, author Q&A) (Religious fantasy. 12-14)

Pub Date: Jan. 30, 2024

ISBN: 9780593194454

Page Count: 384

Publisher: WaterBrook

Review Posted Online: Oct. 21, 2023

Kirkus Reviews Issue: Nov. 15, 2023

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REALM OF WONDERS

From the Queen's Council series , Vol. 3

An uneven spin-off that will likely appeal to fans of the original franchise.

Readers return to the world of Agrabah from the Disney film Aladdin, this time from the perspective of Princess Jasmine as she faces her biggest challenge yet.

Tragedy strikes Agrabah and the royal family when the sultan is found dead. Even as she grieves her father, Jasmine must worry about her succession to the throne and the growing concerns of a supernatural evil creeping into the kingdom. Though Jasmine feels unprepared to take her father’s place, she accepts her fate. When a challenger emerges and lays claim to the throne, Jasmine must fight to erase everyone’s doubts about a young woman’s ability to reign and take her rightful place as the first sultana. It is interesting to see Agrabah through the perspective of Jasmine and to encounter characters both familiar and new. Monir builds on the Persian-inspired world by giving the new characters Persian names and including nuanced cultural elements. Fighting against long-held traditions and forging a place for women to be equals alongside men are timely themes, and Monir shows Jasmine’s resolve to be a just and suitable leader despite the frightening situations she often encounters. There is a lot of compelling buildup surrounding the mysterious and supernatural elements haunting Jasmine and her world, but the eventual reveal feels confusing and haphazardly patched together.

An uneven spin-off that will likely appeal to fans of the original franchise. (Fantasy. 12-16)

Pub Date: Oct. 10, 2023

ISBN: 9781368048217

Page Count: 288

Publisher: Disney-Hyperion

Review Posted Online: Aug. 26, 2023

Kirkus Reviews Issue: Sept. 15, 2023

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