An unevenly written but comforting book of spiritual affirmations.
CassanoLochman (The Man with the Sand Dollar Face, 2017, etc.) offers inspiration with a lyrical bent in this collection of short essays.
Everyone needs an occasional pick-me-up, and that’s precisely what the author seeks to provide with this collection of 147 inspirational shorts, the first in a trilogy. In each piece, she aims to lift readers from a place of doubt and set them on a path to gratitude and joy. Addressing the reader as “my friend,” CassanoLochman weaves a web of poetic language meant to encourage, soothe, and celebrate, as in the piece “Toil Happily / Seriousness with Moderation”: “My friend, slow down, take a breath. Important it is to allow for lazy days of play and misspelled words.” Some pieces address particular troubles, such as “Memories Cycled / Forgiveness” or “Blanket of Light / Depths of Depression”: “Depression is the equalizer. Souls taken hostage regardless of social or ethnic status. Slithering forth hidden under the cloak of fear.” Many assert the necessity of embracing the love of God: “My friend, the angst you feel is separation from God’s love.” Despite the title, CassanoLochman’s writings take the form of prose, not verse, although they do contain a number of poetic elements, including fragmentary sentences and figurative imagery: “I witnessed the tragedy. Heartbroken was I. For you stopped midstream. Your heart raced happily with words straining to flee. But fear of those near silenced your song.” Some tend to be rather abstract and clichéd, offering advice that feels vague and untethered from everyday life. Furthermore, the author has a fondness for placing verbs at the end of clauses, giving the prose an odd, Yoda-like syntax at times. Still, many of these pieces have a calming effect, as though someone is whispering in one’s ear with a soft, even voice. Although the concept of God is central to the project, the author doesn’t delve into any particular dogma, allowing for audiences of various faith traditions.
An unevenly written but comforting book of spiritual affirmations.Pub Date: Jan. 23, 2018
ISBN: 978-1-944878-80-1
Page Count: 171
Publisher: Ontario Shore Publishing
Review Posted Online: May 3, 2018
Review Program: Kirkus Indie
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From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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