by Sharon G. Flake ‧ RELEASE DATE: Sept. 30, 2014
Immersive and witty, it illuminates as a historical piece yet falters when connecting the snapshots into a cohesive picture
With elegant prose and a spunky narrator, Flake’s latest offers detailed snapshots of African-American life in 1953.
“Death does not look like people think it should. Sometimes it wears summer suits and fine hats, silk gloves, and handmade shoes. Like him.” The “him” Octobia May refers to is Mr. Davenport, a boarder in her aunt Shuma’s rooming house that she believes is a vampire. With the help of her best friend, Jonah, Octobia May stalks the man, telling everyone of her suspicions. It is a unique perspective, depicting a character of color during the 1950s who is more enraptured of horror-movie prototypes than anything else. But Octobia May’s passion begins to feel like compulsion, then obsession. When she insists that she sees what others cannot, she becomes an unreliable narrator—and one who sounds desperate. Then later, when the book shifts from vampires and talking to the dead to Octobia May’s desire to become a detective, the plot feels crowded and loses its emotional resonance. Flake’s incorporation of the social and political milestones of the era makes the story a veritable compendium. From Masons to McCarthy to Pall Malls, Camels and Lucky Strikes, the tale offers an intriguing insight into an important time in U.S. history. However, jarring transitions and a narrator who at times feels emotionally disconnected ultimately leave readers wanting.
Immersive and witty, it illuminates as a historical piece yet falters when connecting the snapshots into a cohesive picture (. (Historical fiction. 8-12)Pub Date: Sept. 30, 2014
ISBN: 978-0-545-60960-9
Page Count: 288
Publisher: Scholastic
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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by Sharon G. Flake ; illustrated by Anna Raff
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by Doug Cornett ‧ RELEASE DATE: April 14, 2020
Delightful fun for budding mystery fans.
Only children, rejoice! A cozy mystery just for you! (People with siblings will probably enjoy it too.)
Debut novelist Cornett introduces the One and Onlys, a trio of mystery-solving only kids: Gloria Longshanks “Shanks” Hill, Alexander “Peephole” Calloway, and narrator Paul (alas, no nickname) Marconi. The trio has a knack for finding and solving low-level mysteries, but they come up against a true head-scratcher when the yard of a resident of their small town is covered in rubber ducks overnight. Working ahead of Officer Portnoy, who’s a little on the slow side, can Paul, Shanks, and Peephole solve the mystery? Cornett has a lot of fun with this adventure, dropping additional side mysteries, a subplot about small businesses, big corporations, and economics, and a town’s love of bratwurst into the mix. Most importantly, he plays fair with the clues throughout, allowing astute readers to potentially solve the case ahead of the trio. The tone and mystery are perfect for younger readers who want to test their detective skills but are put off by anything scary or gory. The pacing would serve well for chapter-by-chapter read-alouds. If there are any quibbles, it’s the lack of diversity of the cast, as it defaults white. Diversity exists in small towns, and this one is crying out for more. Hopefully a sequel will introduce additional faces.
Delightful fun for budding mystery fans. (Mystery. 8-12)Pub Date: April 14, 2020
ISBN: 978-1-9848-3003-6
Page Count: 256
Publisher: Knopf
Review Posted Online: Dec. 21, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Doug Cornett
by Charlene Willing McManis with Traci Sorell ‧ RELEASE DATE: Sept. 24, 2019
A good starting point to introduce the legacy of tribal termination.
In 1954, the Umpqua tribe was terminated by the government.
Unable to afford their land on the former Umpqua Grand Ronde reservation in Oregon, 10-year-old Regina Petit’s father, who is Umpqua, decides to sign up for the Indian Relocation Program and move the entire family to Los Angeles. Regina and her little sister, Peewee, spend the summer adjusting to life in their multicultural South Central Los Angeles neighborhood, where they befriend black siblings Keith and Addie and Cuban brothers Anthony and Philip. In this new environment, Regina is forced to confront the dominant ideas about her Indian identity through what the other kids have learned at school and from the 1950s TV show The Lone Ranger. A neighborhood game of Cowboys and Indians defies the outcome Regina played on the rez, where the Indians win. The children experience a racist attack while trick-or-treating when white teenagers throw eggs and use the N-word. (The book leaves Regina puzzling over this incident without addressing the history or implications of the slur.) McManis and Sorell produce a poignant family story of the impact termination had on the thousands of Native Americans who left reservations in order to survive. Using a supporting cast of color to reflect distorted stereotypes back at them, however, has the effect of eliding the implication of white culture in their origins.
A good starting point to introduce the legacy of tribal termination. (Historical fiction. 8-12)Pub Date: Sept. 24, 2019
ISBN: 978-1-62014-839-6
Page Count: 224
Publisher: Tu Books
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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