THE QUEEN'S MAN

The first in a series of medieval mysteries by an author well known for her historical novels (When Christ and His Saints Slept, 1995, etc.) introduces 20ish Justin de Quincy, a foundling who's just discovered that his father is the Bishop of Chester. The Bishop, in the guise of charity, has overseen Justin's education and insured his welfare, but he refuses to acknowledge their relationship. Stunned and furious, Justin flees. On the road to London he comes across a pair of cutthroats and the Winchester goldsmith they've left to die—Gervase Fitz Randolph, who begs Justin to deliver a letter, hidden on his person, to Queen Eleanor in London. All England is talking about the disappearance of King Richard, the Queen's son, in the aftermath of his failed campaign to take the Holy Land, and of the scheming of his younger brother John to become king—with help, perhaps, from King Philip of France. The letter, delivered by Justin after much travail, is disquieting, but at least it reassures the Queen that Richard is sill alive. There are reasons to believe that someone had hired Randolph's killers to retrieve the letter, and the Queen commissions Justin to find out that person's identity. The search involves myriad helpers—from Luke de Marston, the undersheriff of Hampshire, and Sergeant Jonas of London's constabulary, to the denizens of Gracechurch Street, where feisty Nell runs an alehouse. It's a long haul, crowned with ironic success. A graceful style, plus a plot rich in local color, puts this among the most attractive by far of the recent spate of mysteries set in medieval times.

Pub Date: Nov. 1, 1996

ISBN: 0-8050-3885-X

Page Count: 240

Publisher: Henry Holt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Oct. 1, 1996

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An overly anodyne attempt at Southern gothic.

THE STOLEN MARRIAGE

A series of unfortunate errors consigns a Baltimore nurse to a loveless marriage in the South.

It’s 1943, and Tess, from Baltimore’s Little Italy, is eagerly anticipating her upcoming nuptials. Her frustration grows, though, when her physician fiance, Vincent, accepts an extended out-of-town assignment to treat polio patients. On an impromptu excursion to Washington, D.C., Tess has too many martinis, resulting in a one-night stand with a chance acquaintance, a furniture manufacturer from North Carolina named Henry. Back in Baltimore, Tess’ extreme Catholic guilt over her indiscretion is compounded by the discovery that she’s pregnant. Eschewing a back-street abortion, she seeks out Henry in hopes of arranging child support—but to her shock, he proposes marriage instead. Once married to Henry and ensconced in his family mansion in Hickory, North Carolina, Tess gets a frosty reception from Henry’s mother, Miss Ruth, and his sister, Lucy, not to mention the other ladies of Hickory, especially Violet, who thought she was Henry’s fiancee. Tess’ isolation worsens after Lucy dies in a freak car accident, and Tess, the driver, is blamed. Her only friends are the African-American servants of the household and an African-American medium who helps her make peace with a growing number of unquiet spirits, including her mother, who expired of shock over Tess’ predicament, and Lucy, not to mention the baby, who did not make it to full term. The marriage is passionless but benign. Although Henry tries to be domineering, he always relents, letting Tess take the nurses' licensing exam and, later, go to work in Hickory’s historic polio hospital. Strangely, despite the pregnancy’s end, he refuses to divorce Tess. There are hints throughout that Henry has secrets; Lucy herself intimates as much shortly before her death. Once the polio hospital story takes over, the accident is largely forgotten, leading readers to suspect that Lucy’s death was a convenient way of postponing crucial revelations about Henry. Things develop predictably until, suddenly and belatedly, the plot heats up in an unpredictable but also unconvincing way.

An overly anodyne attempt at Southern gothic.

Pub Date: Oct. 3, 2017

ISBN: 978-1-250-08727-0

Page Count: 384

Publisher: St. Martin's

Review Posted Online: July 17, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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An anodyne visit with Tricia and her friends and enemies hung on a thin mystery.

A KILLER EDITION

Too much free time leads a New Hampshire bookseller into yet another case of murder.

Now that Tricia Miles has Pixie Poe and Mr. Everett practically running her bookstore, Haven’t Got a Clue, she finds herself at loose ends. Her wealthy sister, Angelica, who in the guise of Nigela Ricita has invested heavily in making Stoneham a bookish tourist attraction, is entering the amateur competition for the Great Booktown Bake-Off. So Tricia, who’s recently taken up baking as a hobby, decides to join her and spends a lot of time looking for the perfect cupcake recipe. A visit to another bookstore leaves Tricia witnessing a nasty argument between owner Joyce Widman and next-door neighbor Vera Olson over the trimming of tree branches that hang over Joyce’s yard—also overheard by new town police officer Cindy Pearson. After Tricia accepts Joyce’s offer of some produce from her garden, they find Vera skewered by a pitchfork, and when Police Chief Grant Baker arrives, Joyce is his obvious suspect. Ever since Tricia moved to Stoneham, the homicide rate has skyrocketed (Poisoned Pages, 2018, etc.), and her history with Baker is fraught. She’s also become suspicious about the activities at Pets-A-Plenty, the animal shelter where Vera was a dedicated volunteer. Tricia’s offered her expertise to the board, but president Toby Kingston has been less than welcoming. With nothing but baking on her calendar, Tricia has plenty of time to investigate both the murder and her vague suspicions about the shelter. Plenty of small-town friendships and rivalries emerge in her quest for the truth.

An anodyne visit with Tricia and her friends and enemies hung on a thin mystery.

Pub Date: Aug. 13, 2019

ISBN: 978-1-9848-0272-9

Page Count: 320

Publisher: Berkley

Review Posted Online: May 27, 2019

Kirkus Reviews Issue: June 15, 2019

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