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THE BENIGN SKEPTIC

A MEMOIR

A thoughtful autobiography, but one that may be too narrowly personal to gain a wide readership.

In this debut memoir, retired English educator Taylor recounts a long and troubled life and the lessons that she learned along the way.

The author was born in 1939, the youngest of three siblings and the only one who was unplanned—a “mixed blessing,” she says, in a household that was always in a state of financial arrears. Her parents often feuded over their mounting debts, and when Taylor was 8 years old, they divorced. Her mother, Polly, married a strange man named Marvin who forced them to travel constantly, which often led to their living out of cheap motels. He beat the author regularly, she says, and made them all eat cat meat that he claimed was rabbit; he also compelled them to alter their names and appearances to avoid people whom he thought were pursuing him. Marvin finally abandoned them when Polly’s money ran out, and the author and her mother moved in with her grandfather for a year, which she calls the “black hole of my life.” The remainder of Taylor’s meticulous memoir, however, is less dramatic. Her first marriage ended in divorce, but it also gave her four children whom she adored. She went on to earn a doctorate in anthropology before meeting Bill Hall, with whom she says she enjoyed the “first truly satisfactory love affair of my life.” She was struck by how similar their temperaments and worldviews were; they were both “family oriented, moderate Democrats” and “benign skeptics”—her own term, which gives her book its title: “A benign skeptic differs from either an agnostic or an atheist,” she asserts. “Unlike an agnostic, he knows what he believes and disbelieves; and unlike an atheist, he has no axe to grind with believers.”

Taylor’s highly detailed remembrance is conveyed in an informal, anecdotal style that achieves something close to an easy intimacy with the reader. Her success against considerable odds is undeniably impressive, as is the cheerful resilience with which she repeatedly faced misfortune. After her second husband died in 2018, the author maintained her irrepressible embrace of life and rejoined the dating scene in her 70s. She announces at the beginning of the book that her true audience is her six grandchildren: “I want them to know who I am. Not just the fact that I lived and produced offspring, which is all I know about my own great-grandmothers, but to really know me.” Indeed, the entire book seems intended for their eyes only, as it’s idiosyncratically personal and spangled with family photographs throughout. Taylor also often shares her sensible, if familiar, wisdom, as when she counsels her audience that “life really isn’t fair” and that one should “honestly seek the truth”; at another point, she shares a recipe for Irish Wake Punch. However, as charming as Taylor’s recollections are over the course of this remembrance, they are likely to be enjoyed most by those to whom they were specifically intended.

A thoughtful autobiography, but one that may be too narrowly personal to gain a wide readership.

Pub Date: N/A

ISBN: N/A

Page Count: 341

Publisher: Manuscript

Review Posted Online: Aug. 17, 2022

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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