Unquiet indeed.
McCrumb’s (Prayers the Devil Answers, 2016, etc.) latest combines an Appalachian ghost story with a turn-of-the-last-century murder case.
This tale takes a while to develop, as it progresses at the ambling pace of a one-horse buggy over muddy roads. The setting veers back and forth between rural Greenbrier County in 1890s West Virginia and a segregated asylum “for the Colored Insane” in 1930. In Greenbrier, Mrs. Heaster, a farm wife, worries about her only daughter, the beautiful and impractical Zona, who, at 20, has endangered her marriageability with an out-of-wedlock pregnancy. However, after Zona’s child is adopted out, she meets handsome blacksmith “Trout” Shue. The infatuation is immediate and mutual, and the couple rushes to marry. Zona ignores her mother’s cautions about hasty marriage, particularly to someone whose last wife (Shue’s second) died of a fall less than a year before. At the wedding reception, Shue’s remark about Zona’s weight immediately alerts Mrs. Heaster that her daughter has just married what we would today term a potentially abusive control freak. Sure enough, within a few months, Zona is dead—from a tumble down the stairs, according to her husband—and Shue refuses to let anyone else near her body until it is safely interred. Mrs. Heaster’s suspicions that the death was no accident are confirmed after visits from Zona’s ghost lead her to demand an exhumation and autopsy. In 1930, James Gardner, an elderly retired attorney committed to the Lakin hospital following a suicide attempt, recalls the days when, while apprenticed to the colorful barrister William Rucker, he was second chair in the defense of Shue at his murder trial. Despite the intriguing questions touching on Gardner’s struggles as a black lawyer in the South, the asylum sections, consisting of many courtly dialogues with a sympathetic doctor, are unavoidably dull, since they distract from the far more suspenseful experiences of Mrs. Heaster as she pulls out all the stops to get justice for her daughter in a system controlled by men.
Unquiet indeed.Pub Date: June 20, 2017
ISBN: 978-1-5011-7287-5
Page Count: 368
Publisher: Atria
Review Posted Online: April 3, 2017
Kirkus Reviews Issue: April 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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