An outlandish, sexually charged tale that might be too much for prim readers.

THE DEATH OF EVE

World War III, aka the “Medical Cold War,” has left earth in a post-apocalyptic state where the female sex is dying out, creating a hellish environment for the last remaining women.

Carol arrives at her new dome in a state of exhausted confusion. At 22, she has survived rape and witnessed a brutal murder that left her with chronic migraines and anxiety; yet somehow Carol senses that things are only going to get worse. She’s right. Now, she’s sent to live with the 300 remaining women in the country to be experimented on like a lab rat in an attempt to find a cure for humankind’s inability to breed females. In Carol’s first night in the dome, Mionne, her first roommate and the ultimate psychopathic villain, trades Carol to be gang-raped in exchange for cigarettes. Luckily—was it luck?—Carol was saved by a woman she met earlier that day before the workers (who illegally skipped their daily dosage of sex- and violence-repressing chemicals) could have their way. Carol and her heroine, Jessie, a former nurse and classic beauty, evolve from caring roommates into intimate lovers. Together, they attempt to find a way to escape from the hell of the dome to whatever awaits them outside. Meanwhile, Gen. Kuromori takes a peculiar, obsessive interest in Carol that turns into a ferocious search, and Mionne finds a secret weapon that allows her to sexually control the men of the dome, turning them into sex-crazed maniacs. After an odd change of luck puts Carol and Jessie on the outside, they brave a sandstorm and find an unexpected accomplice in an ex-“sashurai” (a trained fighter) who saves them, yet again, from rape, this time by the leader of a tribal village. In addition to learning that life exists outside of the domes, Carol and Jessie discover a shocking fact that leads to a complicated conclusion to tie up the story’s loose ends. The “what if” plotline compellingly knots together world war and science-gone-wrong, with a titillating mix of sex and gender issues. Although longer than it needs to be, the fast-paced story is intriguingly unpredictable.

An outlandish, sexually charged tale that might be too much for prim readers.

Pub Date: Feb. 13, 2012

ISBN: 978-1468122114

Page Count: 410

Publisher: CreateSpace

Review Posted Online: Oct. 11, 2012

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A YA novel that treats its subject and its readers with respect while delivering an engaging story.

BROTHERS IN ARMS

BLUFORD HIGH SERIES #9

In the ninth book in the Bluford young-adult series, a young Latino man walks away from violence—but at great personal cost.

In a large Southern California city, 16-year-old Martin Luna hangs out on the fringes of gang life. He’s disaffected, fatherless and increasingly drawn into the orbit of the older, rougher Frankie. When a stray bullet kills Martin’s adored 8-year-old brother, Huero, Martin seems to be heading into a life of crime. But Martin’s mother, determined not to lose another son, moves him to another neighborhood—the fictional town of Bluford, where he attends the racially diverse Bluford High. At his new school, the still-grieving Martin quickly makes enemies and gets into trouble. But he also makes friends with a kind English teacher and catches the eye of Vicky, a smart, pretty and outgoing Bluford student. Martin’s first-person narration supplies much of the book’s power. His dialogue is plain, but realistic and believable, and the authors wisely avoid the temptation to lard his speech with dated and potentially embarrassing slang. The author draws a vivid and affecting picture of Martin’s pain and confusion, bringing a tight-lipped teenager to life. In fact, Martin’s character is so well drawn that when he realizes the truth about his friend Frankie, readers won’t feel as if they are watching an after-school special, but as though they are observing the natural progression of Martin’s personal growth. This short novel appears to be aimed at urban teens who don’t often see their neighborhoods portrayed in young-adult fiction, but its sophisticated characters and affecting story will likely have much wider appeal.

A YA novel that treats its subject and its readers with respect while delivering an engaging story.

Pub Date: Jan. 1, 2004

ISBN: 978-1591940173

Page Count: 152

Publisher: Townsend Press

Review Posted Online: Jan. 26, 2013

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A short, simple, and sweet tale about two friends and a horse.

Mary's Song

From the Dream Horse Adventure Series series , Vol. 1

A novel tells the story of two spirited girls who set out to save a lame foal in 1952.

Mary, age 12, lacks muscle control of her legs and must use a wheelchair. Her life is constantly interrupted by trips with her widower father to assorted doctors, all of whom have failed to help her. Mary tolerates the treatments, hoping to one day walk unassisted, but her true passion involves horses. Possessing a library filled with horse books, she loves watching and drawing the animals at a neighboring farm. She longs to own one herself. But her father, overprotective due to her disability and his own lingering grief over Mary’s dead mother, makes her keep her distance. Mary befriends Laura, the emotionally neglected daughter of the wealthy neighboring farm owners, and the two share secret buggy rides. Both girls are attracted to Illusion, a beautiful red bay filly on the farm. Mary learns that Illusion is to be put down by a veterinarian because of a lame leg. Horrified, she decides to talk to the barn manager about the horse (“Isn’t it okay for her to live even if she’s not perfect? I think she deserves a chance”). Soon, Mary and Laura attempt to raise money to save Illusion. At the same time, Mary begins to gain control of her legs thanks to water therapy and secret therapeutic riding with Laura. There is indeed a great deal of poignancy in a story of a girl with a disability fighting to defend the intrinsic value of a lame animal. But this book, the first installment of the Dream Horse Adventure Series, would be twice as touching if Mary interacted with Illusion more. In the tale’s opening, she watches the foal from afar, but she actually spends very little time with the filly she tries so hard to protect. This turns out to be a strange development given the degree to which the narrative relies on her devotion. Count (Selah’s Sweet Dream, 2015) draws Mary and Laura in broad but believable strokes, defined mainly by their unrelenting pluckiness in the face of adversity. While the work tackles disability, death, and grief, Mary’s and Laura’s environments are so idyllic and their optimism and perseverance so remarkable that the story retains an aura of uncomplicated gentleness throughout.

A short, simple, and sweet tale about two friends and a horse.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Hastings Creations Group

Review Posted Online: Oct. 15, 2016

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