Romantic-suspense fiction, however worthy Kohler’s aims, that isn’t strong enough to support its weighty objective.

CHILDREN OF PITHIVIERS

With only medium success, the children’s concentration camp at Pithiviers is the inspiration for this indictment of French collaboration with the Germans in WWII.

The story is told by a South African woman living in the US who’s haunted by a sentence she found written in the margins of someone else’s book years ago: “Mother said everything would be all right; nothing seriously wrong can happen in France: Is it not the country of the Rights of Man?” In 1959, 17-year-old Deidre, or Dodo, was an innocent young girl studying at the Sorbonne when she became pregnant by her young French boyfriend. After an abortion, her sister and French brother-in-law pack her off to the country to recover. At the château, she meets and quickly becomes enchanted by her ageless hosts, the de C’s, first the Madame and then the Monsieur, who bear a striking resemblance to each another, inbred aristocrats that they are. Meanwhile, Dodo discovers a cache of old books (“the Rights of Man”) and magazines in the attic; she writes to her mother but receives no reply; her sister’s husband rebukes her for complaining about the aristocratic de C’s; she dreams of a drowning girl; and the squat Spanish cook, Dolores, slips into her bedroom to tell tales about her hosts. Young, naïve Dodo is isolated, with little money. A Frenchman gets her pregnant; and the aborting physician crudely takes advantage of her during the examination. And though she discovers that the cache belonged to two young Jewish girls who hid in the attic, she can’t decipher the messages, the warnings, found in the books. Finally, after a heady courtship by the Madame, who woos her with presents and a fancy party (bought with her mother’s money, unknown to her), she becomes easy prey for the libidinous Monsieur. Inevitably, death ensues.

Romantic-suspense fiction, however worthy Kohler’s aims, that isn’t strong enough to support its weighty objective.

Pub Date: June 1, 2001

ISBN: 1-58195-032-2

Page Count: 224

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 2001

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A moving story of what it means to fight for the right to live the life you choose.

THE GIRL WITH THE LOUDING VOICE

A Nigerian teenager determined to get an education escapes an arranged marriage in her village but finds that life in the city is dangerous, too.

Adunni, the 14-year-old protagonist of Daré’s moving first novel, longs to be educated and dreams of one day becoming a teacher. “I even been teaching the small boys and girls in the village ABC and 123 on market days,” she says. “I like the way their eyes be always so bright, their voices so sharp.” But in her village, girls are supposed to marry early, have babies, and take care of the men. With her supportive mother dead and a father who doesn’t believe daughters need schooling, she is forced into a brutal, unhappy marriage with a much older man who already has two wives. One wife befriends her and tries to ease Adunni’s loneliness and suffering. But when tragedy ensues, Adunni flees to the crowded city of Lagos in hopes of finding a better future. Instead, she ends up as an indentured servant in an abusive household, where her hopes for learning are further stifled. Daré, who grew up in Lagos and now lives in the U.K., paints a bleak and vivid portrait of the expectations and sexual dangers for rural Nigerian girls, who are exploited as workers and punished for having “a louding voice” (meaning they dare to want a say in their own future). Adunni’s dialect will be unfamiliar to some readers, but the rhythm of her language grows easier to follow the more you read, and her courage and determination to make her own way in life despite terrible setbacks are heartbreaking and inspiring. Daré provides a valuable reminder of all the young women around the world who are struggling to be heard and how important it is that we listen to them.

A moving story of what it means to fight for the right to live the life you choose.

Pub Date: Feb. 25, 2020

ISBN: 978-1-5247-4602-5

Page Count: 336

Publisher: Dutton

Review Posted Online: Oct. 28, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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Absolutely enthralling. Read it.

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A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!

Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.

Absolutely enthralling. Read it.

Pub Date: April 16, 2019

ISBN: 978-1-984-82217-8

Page Count: 288

Publisher: Hogarth/Crown

Review Posted Online: Feb. 18, 2019

Kirkus Reviews Issue: March 1, 2019

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