by Sheila M. Rothman ‧ RELEASE DATE: Feb. 28, 1994
Revealing account of the experience of tuberculosis from the patient's point of view. A scholar at Columbia's College of Physicians and Surgeons, Rothman (Woman's Proper Place, 1978) examined numerous collections of family papers, diaries, and memoirs searching for ``narratives of illness,'' specifically for accounts by those with tuberculosis, the leading cause of death in the 19th century. First come the writings of young, educated New Englanders in the opening half of that century—a time when the disease, then called consumption, was believed to be hereditary and noncontagious. Its sufferers were considered invalids, a label with both medical and social implications, requiring the ill to seek cures and modifying their social obligations. Male invalids might have to change their careers, giving up the bookish professions, for instance, to go off on lengthy ocean voyages or take up the outdoor life of a farmer; women, however, were expected to seek their cures at home, surrounded by family. Through their narratives, we see how the sufferers lived with life-altering illness and how their families and friends responded. Rothman turns then to the western frontier during the period 1840-90. Here, consumptives became health seekers, full of confidence and optimism, until, with Robert Koch's discovery of the tubercle bacillus in 1882, fear of contagion changed everything. Those diagnosed with tuberculosis were thereafter segregated in sanitoriums, their illness narratives narrowing from life stories to accounts of encounters with the disease, nurses and doctors, and other patients. Rothman's selection of narrative passages, along with her own descriptions, make the transition from invalid to health seeker to patient a poignant one, and her revelations about the nature of illness from the patient's perspective are especially valuable in light of the current tuberculosis comeback and the national debate about health care policy. Rich in detail and human interest.
Pub Date: Feb. 28, 1994
ISBN: 0-465-03002-5
Page Count: 352
Publisher: Basic Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1993
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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