Freydont’s third entombs a neatly turned, briskly paced, well-clued mystery in dreary country-house melodrama.

MIDSUMMER MURDER

As rehearsal director of the Jeremy Ash Dance Company, Lindy Graham-Haggerty (High Seas Murder, 2000, etc.) has the plummy perk of traveling alongside her best friend Biddy McFee, the company’s business manager, to a host of exciting locations for a series of gala recitals. If only she didn’t run into one pesky murder after another along the way! The minute she gets off the bus at the Easton Arts Retreat in upstate New York, she’s confronted with the latest: Larry Cleveland, one of the teenagers at the Retreat’s summer dance camp, has met his untimely demise the day of the Ash troupe’s arrival by plunging into a ravine. Not only does the death of streetwise, manipulative Larry cast a pall over the Retreat’s founders—wealthy, elegant Marguerite Easton and her slightly addled brother Ellis—but it brings troglodyte Sheriff Byron Grappel onto campus, where he can harass his former sweetheart, Chi-Chi Stokes, by trying to pin the murder on her husband, Robert. Lindy so wants to solve this case that she wades through all sorts of sordid liaisons, straight and gay, romantic and financial, to discover who might want to see young Larry dead—or see the Eastons discredited. But the relationship she can’t quite sort out is her own with retired detective Bill Brandecker, whose unrequited feelings for married Lindy bring him into the case all too closely on the Eastons’ side.

Freydont’s third entombs a neatly turned, briskly paced, well-clued mystery in dreary country-house melodrama.

Pub Date: Aug. 1, 2001

ISBN: 1-57566-674-X

Page Count: 288

Publisher: Kensington

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 1, 2001

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THE BLACK ECHO

Big, brooding debut police thriller by Los Angeles Times crime-reporter Connelly, whose labyrinthine tale of a cop tracking vicious bank-robbers sparks and smolders but never quite catches fire. Connelly shows off his deep knowledge of cop procedure right away, expertly detailing the painstaking examination by LAPD homicide detective Hieronymus (Harry) Bosch of the death-scene of sometime junkie Billy Meadows, whom Bosch knew as a fellow "tunnel rat" in Vietnam and who's now o.d.'d in an abandoned water tunnel. Pushing Meadows's death as murder while his colleagues see it as accidental, Bosch, already a black sheep for his vigilante-like ways, further alienates police brass and is soon shadowed by two nastily clownish Internal Affairs cops wherever he goes—even to FBI headquarters, which Bosch storms after he learns that the Bureau had investigated him for a tunnel-engineered bank robbery that Meadows is implicated in. Assigned to work with beautiful, blond FBI agent Eleanor Wish, who soon shares his bed in an edgy alliance, Bosch comes to suspect that the robbers killed Meadows because the vet pawned some of the loot, and that their subsequent killing of the only witness to the Meadows slaying points to a turned cop. But who? Before Bosch can find out, a trace on the bank-robbery victims points him toward a fortune in smuggled diamonds and the likelihood of a second heist—leading to the blundering death of the IAD cops, the unveiling of one bad cop, an anticipated but too-brief climax in the L.A. sewer tunnels, and, in a twisty anticlimax, the revelation of a second rotten law officer. Swift and sure, with sharp characterizations, but at heart really a tightly wrapped package of cop-thriller cliches, from the hero's Dirty Harry persona to the venal brass, the mad-dog IAD cops, and the not-so-surprising villains. Still, Connelly knows his turf and perhaps he'll map it more freshly next time out.

Pub Date: Jan. 21, 1992

ISBN: 0-316-15361-3

Page Count: 400

Publisher: Little, Brown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 1, 1991

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Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...

THE A LIST

A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.

Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?

Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.

Pub Date: April 2, 2019

ISBN: 978-1-5011-5101-9

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Feb. 19, 2019

Kirkus Reviews Issue: March 1, 2019

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