by Shelley Gill ; illustrated by Judy Love ‧ RELEASE DATE: Feb. 11, 2014
Though mostly of regional interest, this could easily be paired with other female tall tales, such as Anne Isaacs and Paul...
“If it weren’t for the Rose girls, what would Alaska be?”
According to this original tall tale, Alaska would be missing many geographic and topographic features if it weren’t for the feats of Sitka and Prickly Rose. “Legend says the Rose girls / towered ten feet tall. / Truth is, Sitka did so; / Prickly not at all.” When Sitka mushes toward Nome, Prickly, as her name suggests, feels left out and declares she won’t be stuck at home. She jumps aboard two orcas and creates a tsunami when she falls off; she rides a “glacier bear”; she yanks the moon and forms tides; she stomps and causes both an earthquake and a volcanic eruption. Just when Prickly’s sour luck runs out, Sitka bursts from the northern lights driving a team of wolverines, and sisterly love erupts. This story follows Gill’s previous picture book, Sitka Rose, illustrated by Shannon Cartwright (2005), checking off expected Alaska attractions (Denali, the Yukon River) and folding in Alaska slang (williwaws, skookum). The rhyming text tends to hamper the flow of the tale, but the wild and woolly story is animated with boisterous illustrations that exaggerate the hijinks. A map in the backmatter pinpoints the locations of the episodes.
Though mostly of regional interest, this could easily be paired with other female tall tales, such as Anne Isaacs and Paul Zelinsky’s Swamp Angel (1994), Jerdine Nolen and Kadir Nelson’s Thunder Rose (2003) and Lynne Bertrand and Kevin Hawkes’ Granite Baby (2005) . (Picture book. 5-9)Pub Date: Feb. 11, 2014
ISBN: 978-1-57091-356-3
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: Dec. 17, 2013
Kirkus Reviews Issue: Jan. 1, 2014
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by Carlo Collodi & adapted by Elastico srl & illustrated by Lucia Conversi translated by Lemmy Caution developed by Elastico srl ‧ RELEASE DATE: March 17, 2011
Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly...
Unusually brisk special effects animate this relatively less satiric but equally amusing adaptation of the classic tale.
Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly delivers a Bronx cheer and then whirls away on a long series of misadventures. These culminate in a final change into a flesh-and-blood boy with help from a fingertip “paintbrush.” Quick and responsive touch- or tilt-activated features range from controllable marionettes, Pinocchio’s tattletale nose and Fire-Eater’s explosive sneeze to a movable candle that illuminates both Geppetto in the fish’s dark belly and the accompanying block of text. Even the thumbnail page images of the index (which opens any time with a shake of the tablet) tumble about, somehow without falling out of order. Though transitions are almost nonexistent in the episodic plot, the text is both substantial enough to have a definite presence and artfully placed in and around Conversi’s brightly colored settings and toylike figures. Text is available in English or Italian with a clear, understated optional audio narration backed by unobtrusive music. A link on the credits page leads to downloadable coloring sheets on the producer’s website.Pub Date: March 17, 2011
ISBN: N/A
Page Count: -
Publisher: Elastico srl
Review Posted Online: July 20, 2011
Kirkus Reviews Issue: Aug. 15, 2011
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by Carlo Collodi ; adapted by Carol Della Chiesa ; illustrated by Swarna Chitrakar
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by David Wiesner ; illustrated by David Wiesner ‧ RELEASE DATE: Sept. 1, 2020
A retro-futuristic romp, literally and figuratively screwy.
Robo-parents Diode and Lugnut present daughter Cathode with a new little brother—who requires, unfortunately, some assembly.
Arriving in pieces from some mechanistic version of Ikea, little Flange turns out to be a cute but complicated tyke who immediately falls apart…and then rockets uncontrollably about the room after an overconfident uncle tinkers with his basic design. As a squad of helpline techies and bevies of neighbors bearing sludge cake and like treats roll in, the cluttered and increasingly crowded scene deteriorates into madcap chaos—until at last Cath, with help from Roomba-like robodog Sprocket, stages an intervention by whisking the hapless new arrival off to a backyard workshop for a proper assembly and software update. “You’re such a good big sister!” warbles her frazzled mom. Wiesner’s robots display his characteristic clean lines and even hues but endearingly look like vaguely anthropomorphic piles of random jet-engine parts and old vacuum cleaners loosely connected by joints of armored cable. They roll hither and thither through neatly squared-off panels and pages in infectiously comical dismay. Even the end’s domestic tranquility lasts only until Cathode spots the little box buried in the bigger one’s packing material: “TWINS!” (This book was reviewed digitally with 9-by-22-inch double-page spreads viewed at 52% of actual size.)
A retro-futuristic romp, literally and figuratively screwy. (Picture book. 5-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-544-98731-9
Page Count: 32
Publisher: Clarion Books
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
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