by Shelley Rotner ; Sheila M. Kelly ; photographed by Shelley Rotner ‧ RELEASE DATE: March 1, 2013
Even with adorable children playing with healthy food, choose another for teaching the new dietary guidelines.
A photo essay depicts children preparing and eating healthy food.
With the release of revised dietary guidelines in 2010, the U.S. Department of Agriculture also replaced the food pyramid with an initiative called MyPlate. This title aims to teach children to make healthy food choices based on these guidelines. Kids pour their own milk, make their own shakes and crack eggs all by themselves. (Depicting solo use of blenders and knives, however, may cause concern for some.) With bold background colors, staged photographs of youngsters in every shape and skin tone cover the pages in a simple layout. The diversity of faces is the book’s strongest point. The text, however, cannot decide if the audience is children or their adults. Captions repeatedly exclaim, “Good food makes me strong!” while each sidebar provides a tip for caregivers. “Buy pastas that are high in protein, legumes, and multigrains.” Contradictorily, the photo shows both wheat and white pasta, while other pages clearly show white flour and rice choices. The endnote contains information on the five food groups, along with the link to the new MyPlate initiative.
Even with adorable children playing with healthy food, choose another for teaching the new dietary guidelines. (Informational picture book. 3-6)Pub Date: March 1, 2013
ISBN: 978-0-8234-2426-9
Page Count: 32
Publisher: Holiday House
Review Posted Online: Jan. 15, 2013
Kirkus Reviews Issue: Feb. 1, 2013
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by Gwen Agna & Shelley Rotner ; photographed by Shelley Rotner
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by John Segal and illustrated by John Segal ‧ RELEASE DATE: March 1, 2011
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
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by John Segal & illustrated by John Segal
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by John Segal & illustrated by John Segal
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by John Segal & illustrated by John Segal
by Rachel Isadora ; illustrated by Rachel Isadora ‧ RELEASE DATE: March 14, 2017
If Black Lives Matter, they deserve more specificity than this.
A lushly illustrated picture book with a troubling message.
Little Lala walks with her father after his successful day of fishing. When Mama calls her home for bed, a host of “good night”s delays her: to the bird, the monkey, and even the rock. As Lala wanders through her village in the darkening twilight, readers appreciate its expansive beauty and Lala’s simple joys. Although it’s been artfully written and richly illustrated by an award-winning author of many multicultural stories, this book has problems that overshadow its beauty. “African veld” sets the story in southern Africa, but its vague locale encourages Americans to think that distinctions among African countries don’t matter. Lala wears braids or locks that stick straight up, recalling the 19th-century pickaninny, and her inconsistent skin color ranges from deep ebony like her father’s to light brown. Shadows may cause some of these differences, but if it weren’t for her identifiable hair, readers might wonder if the same child wanders from page to page. Perhaps most striking of all is Lala’s bedtime story: not an African tale but an American classic. While this might evoke nostalgia in some readers, it also suggests that southern Africa has no comparably great bedtime books for Lala, perhaps in part because American children’s literature dominates the world market.
If Black Lives Matter, they deserve more specificity than this. (Picture book. 3-5)Pub Date: March 14, 2017
ISBN: 978-0-399-17384-4
Page Count: 32
Publisher: Nancy Paulsen Books
Review Posted Online: Dec. 5, 2016
Kirkus Reviews Issue: Dec. 15, 2016
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by Rachel Isadora ; illustrated by Rachel Isadora
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by Rachel Isadora ; illustrated by Rachel Isadora
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by Rachel Isadora ; illustrated by Rachel Isadora
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