A fraught subject, handled with gravitas and, improbably, grace.
A family moves to Costa Rica to heal from a kidnapping.
At age 11, Caleb Vincent was abducted and imprisoned in a basement, then starved and trafficked by a ring of pedophiles. Discovered by the FBI living with a man nicknamed Jolly, Caleb, 14, is brought home from Washington state to his parents in Atlanta. Marlene, his mother, never lost hope for Caleb’s return, but his father, Jeff, had at one point given him up for dead. To escape her shaky marriage and the intrusive media that hounds the family day and night, Marlene moves herself, Caleb and 11-year old daughter, Lark, to Costa Rica to live in the cloud forest at a ramshackle hotel owned by Jeff’s mother, Hilda. As the narration dips in and out of Caleb’s head, the reader only gradually learns what happened to him during his disappearance. Jolly, it emerges, is a doctor who rescued Caleb from the pedophiles and took a paternal as well as sexual interest in him. The paternal won out when Jolly encouraged Caleb to attend school, thus facilitating another rescue, this time by authorities. So ambivalent is Caleb about his feelings for Jolly that he refuses to cooperate with the FBI’s prosecution of him (the original kidnappers are still at large) and cannot resist making contact with Jolly from Costa Rica. Meanwhile, other sexually charged scenarios play out: Marlene rekindles an old romance with her husband’s brother, Lowell, and Caleb dates a local girl, Isabel, while not so secretly yearning for her transvestite cousin, Luis. Joseph approaches this explosive material with circumspection, perhaps excessively: So much time is devoted to atmospheric but aimless descriptions of Costa Rican scenery, flora and fauna that at times the travelogue overwhelms the plot, which unfolds at a leisurely, tropical pace. However, Joseph’s preoccupations are less with plot than with honestly confronting the internal conflicts that can arise in reaction to unspeakable crimes.
A fraught subject, handled with gravitas and, improbably, grace.Pub Date: April 16, 2013
ISBN: 978-1-250-01285-2
Page Count: 336
Publisher: Dunne/St. Martin's
Review Posted Online: Feb. 2, 2013
Kirkus Reviews Issue: Feb. 15, 2013
BOOK REVIEW
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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