A vivid memoir of the 1991 Gulf War, of an air attack squadron called Ironclaw, and of the high-pressure life aboard the US carrier Midway. From the start, the reader is in the cockpit with Lieutenant Junior Grade Baldwin (who is currently pursuing an MBA at Harvard) and a three-man crew as, on the eve of war, his Prowler rolls off the flight deck toward the carrier catapults to be thrust from zero to 150 miles per hour in two seconds. One's body, Baldwin notes, never quite adapts to the severe strain of accelerating so fast. His first flight from the carrier is a training mission; he and his crew are supposed to seek out, jam, and destroy enemy radar used as a guide for SAM anti- aircraft missiles. When war comes, it will be a crucial task. Baldwin, qualified as a combat pilot after two and a half years of the toughest flight training, found himself looked down upon as a mere recruit in the fleet, where his every move was closely monitored by highly critical, seasoned officers. In this almost daily high-risk operation, where every man's life often depended on others, one mistake or a missed maintenance inspection could mean instant death to a flight crew. Landing-deck crews are pushed to the limit to avoid life-threatening fires and accidents in a swiftly moving, crowded area. Baldwin depicts the great spirit and close support of officers and enlisted men trying to achieve perfection in some tension-filled combat situations with a little-known enemy. Most missions were successful; not a single life or plane was lost. A fine, Tom Clancystyle account of shipmates under stress and who deserve the traditional Navy phrase, ``Well done.''
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").
This early reader is an excellent introduction to the March on Washington in 1963 and the important role in the march played by Martin Luther King Jr. Ruffin gives the book a good, dramatic start: “August 28, 1963. It is a hot summer day in Washington, D.C. More than 250,00 people are pouring into the city.” They have come to protest the treatment of African-Americans here in the US. With stirring original artwork mixed with photographs of the events (and the segregationist policies in the South, such as separate drinking fountains and entrances to public buildings), Ruffin writes of how an end to slavery didn’t mark true equality and that these rights had to be fought for—through marches and sit-ins and words, particularly those of Dr. King, and particularly on that fateful day in Washington. Within a year the Civil Rights Act of 1964 had been passed: “It does not change everything. But it is a beginning.” Lots of visual cues will help new readers through the fairly simple text, but it is the power of the story that will keep them turning the pages. (Easy reader. 6-8)