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LUCY THE GIANT

Oversized and 15, Lucy runs away from her bleak life to find herself faking adulthood in an adventure story which takes place in Alaska. After her mother’s abandonment, Lucy has felt obligated to become the caretaker for her alcoholic father. The distance between the two is enormous, notwithstanding Lucy’s frequently rescuing him from the cold storage room at his favorite bar. Lonely and ridiculed for her size at school, Lucy becomes attached to a stray dog only to learn that it is so ill that death is inevitable. Hurt and angry, she suddenly abandons her life in Sitka and finds herself transported to the Bering Sea, where the crab-fishing season is underway. Taken for an adult, she signs on as a crabber and discovers strength in herself and friendship, as well as earning respect and cash in the adult world. With a prologue that takes place ten feet below the surface of the Bering Sea, readers are always aware that ultimately events will become desperate. The overwhelming kindness of most strangers and the fortuitous play of events undermine the edge acquired by this device. Written in many terse sentences that might be intended to indicate homage to Hemingway (The Old Man and the Sea features in the narrative), Smith’s staccato style is occasionally effective, but often irritating. There is an abruptness in the action, an unrealistic scene where Lucy matches tequila shots with a fisherman, and the pacing falters. The narrative teeters between portraying the rugged life in the Arctic waters and the fragility of Lucy internal musings. The unusual setting and the issue of self-esteem as it relates to size are pluses in this otherwise middling first YA effort. (Fiction. YA)

Pub Date: Feb. 1, 2001

ISBN: 0-385-72940-5

Page Count: 217

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2001

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A GOOD GIRL'S GUIDE TO MURDER

From the Good Girl's Guide to Murder series , Vol. 1

A treat for mystery readers who enjoy being kept in suspense.

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  • New York Times Bestseller

Everyone believes that Salil Singh killed his girlfriend, Andrea Bell, five years ago—except Pippa Fitz-Amobi.

Pip has known and liked Sal since childhood; he’d supported her when she was being bullied in middle school. For her senior capstone project, Pip researches the disappearance of former Fairview High student Andie, last seen on April 18, 2014, by her younger sister, Becca. The original investigation concluded with most of the evidence pointing to Sal, who was found dead in the woods, apparently by suicide. Andie’s body was never recovered, and Sal was assumed by most to be guilty of abduction and murder. Unable to ignore the gaps in the case, Pip sets out to prove Sal’s innocence, beginning with interviewing his younger brother, Ravi. With his help, Pip digs deeper, unveiling unsavory facts about Andie and the real reason Sal’s friends couldn’t provide him with an alibi. But someone is watching, and Pip may be in more danger than she realizes. Pip’s sleuthing is both impressive and accessible. Online articles about the case and interview transcripts are provided throughout, and Pip’s capstone logs offer insights into her thought processes as new evidence and suspects arise. Jackson’s debut is well-executed and surprises readers with a connective web of interesting characters and motives. Pip and Andie are white, and Sal is of Indian descent.

A treat for mystery readers who enjoy being kept in suspense. (Mystery. 14-18)

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-9636-0

Page Count: 400

Publisher: Delacorte

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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