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MY FATHER'S BOAT

From Garland (The Last Rainmaker, 1997, etc.), a treasure for readers to open again and again, for the beauty of the lyrical prose, and the powerful, bittersweet story of family love. Before sunrise, a Vietnamese immigrant and his son set out on a fishing boat to catch shrimp off the Texas coast. Evoked are the sounds and scent of the sea, the hard work of the fishermen, and the loving relationships between generations. The boy notices that “it feels lonely, out on the sea, but my father says that is part of a fisherman’s life—being alone with the ocean and sky and creatures living below, and alone with your memories.” When they stop to eat cold rice and sip hot tea, the father sings songs he learned in Vietnam, and tells his son about his own fisherman father: “He taught me all I am teaching you. But when the war came to our little village on the other side of the world, he could not leave the land he loved, and I could not stay.” On the road home, the tired boy sleeps, dreaming “that they are together: my grandfather, father, and I—out on the lonely sea in my father’s beautiful boat.” Acrylic and watercolor illustrations extend the mood of the story, from the fog-enshrouded first spread of sunrise to full daylight the following day, and endpapers of white gulls whirling against the magenta sky. Beautiful and compelling. (Picture book. 6-10)

Pub Date: May 1, 1998

ISBN: 0-590-47867-2

Page Count: 40

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1998

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KEENA FORD AND THE FIELD TRIP MIX-UP

Keena Ford’s second-grade class is taking a field trip to the United States Capitol. This good-hearted girl works hard to behave, but her impulsive decisions have a way of backfiring, no matter how hard she tries to do the right thing. In this second book in a series, Keena cuts off one of her braids and later causes a congressman to fall down the stairs. The first-person journal format is a stretch—most second graders can barely write, let alone tell every detail of three days of her life. Children will wonder how Keena can cut one of her “two thick braids” all the way off by pretend-snipping in the air. They will be further confused because the cover art clearly shows Keena with a completely different hairdo on the field trip than the one described. Though a strong African-American heroine is most welcome in chapter books and Keena and her family are likable and realistic, this series needs more polish before Keena writes about her next month in school. (Fiction. 6-9)

Pub Date: July 1, 2009

ISBN: 978-0-8037-3264-3

Page Count: 112

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2009

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RAPUNZEL

Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)

Pub Date: Oct. 1, 2008

ISBN: 978-0-399-24772-9

Page Count: 32

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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