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SONG OF THE BUFFALO BOY

An Amerasian born 17 years ago—an outcast in her Vietnamese village—dreams of the American soldier who appears with her mother in an old photo. Loi also dreams of Khai, the buffalo tender who returns her love but whose family considers her inferior. To avoid an arranged marriage, Loi stages a fake death and disappears to the streets of distant Ho Chi Minh, where she awaits Khai and considers going to the US as part of a program for Amerasians. When the two are finally reunited, she decides to remain in Vietnam, but arranges for a rascally orphan who's befriended her to gain passage to America. It's unfortunate that the issue of interracial children is not explored here in a cultural or historical context; rather, the author repeatedly reminds readers how beautiful Loi is because of her Caucasian freckles and curly hair—as if those features make her superior to those who ostracize her. That's the wrong message. In every other way, the story is vividly realized: effective and moving, from the people inhabiting these seldom- glimpsed lands to the genuine poignancy surrounding the plight of Amerasians. Glossary. (Fiction. 12+)

Pub Date: April 1, 1992

ISBN: 0-15-277107-7

Page Count: 264

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1992

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THE BOOK THIEF

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When Death tells a story, you pay attention. Liesel Meminger is a young girl growing up outside of Munich in Nazi Germany, and Death tells her story as “an attempt—a flying jump of an attempt—to prove to me that you, and your human existence, are worth it.” When her foster father helps her learn to read and she discovers the power of words, Liesel begins stealing books from Nazi book burnings and the mayor’s wife’s library. As she becomes a better reader, she becomes a writer, writing a book about her life in such a miserable time. Liesel’s experiences move Death to say, “I am haunted by humans.” How could the human race be “so ugly and so glorious” at the same time? This big, expansive novel is a leisurely working out of fate, of seemingly chance encounters and events that ultimately touch, like dominoes as they collide. The writing is elegant, philosophical and moving. Even at its length, it’s a work to read slowly and savor. Beautiful and important. (Fiction. 12+)

Pub Date: March 14, 2006

ISBN: 0-375-83100-2

Page Count: 512

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2006

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THE BOY IN THE STRIPED PAJAMAS

Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point.

After Hitler appoints Bruno’s father commandant of Auschwitz, Bruno (nine) is unhappy with his new surroundings compared to the luxury of his home in Berlin.

The literal-minded Bruno, with amazingly little political and social awareness, never gains comprehension of the prisoners (all in “striped pajamas”) or the malignant nature of the death camp. He overcomes loneliness and isolation only when he discovers another boy, Shmuel, on the other side of the camp’s fence. For months, the two meet, becoming secret best friends even though they can never play together. Although Bruno’s family corrects him, he childishly calls the camp “Out-With” and the Fuhrer “Fury.” As a literary device, it could be said to be credibly rooted in Bruno’s consistent, guileless characterization, though it’s difficult to believe in reality. The tragic story’s point of view is unique: the corrosive effect of brutality on Nazi family life as seen through the eyes of a naïf. Some will believe that the fable form, in which the illogical may serve the objective of moral instruction, succeeds in Boyne’s narrative; others will believe it was the wrong choice.

Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point. (Fiction. 12-14)

Pub Date: Sept. 12, 2006

ISBN: 0-385-75106-0

Page Count: 224

Publisher: David Fickling/Random

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2006

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