by Sheryl Shapiro & Simon Shapiro & illustrated by Dušan Petričić ‧ RELEASE DATE: June 1, 2011
The poetry may be hit and miss, but the concept is terrific and the illustrations similarly sublime.
A compendium of poems designed to teach the concept of mixing...and, of course, to entertain.
Each of the 13 verses is illustrated with a two-page spread, featuring mostly children doing the mixing. "Glue" shows them combining flour and water to make glue for a classroom art project—"Then mix them, squish them, squoosh them, / 'til you get a sticky goo." In "Bubbles," a girl blocks her brother, who wants to give the dog a bath in the washing machine, advising instead that they "Rub and scrub with soapy water, watch the bubbles fly." "Concrete" shows a workman putting sand, gravel, water and cement into the big mixer, as well as a trio of children putting their prints in the new sidewalk (one gets his shoes stuck): "Concrete starts all soft and slushy, / then gets hard—that's clever." Other topics include a makeshift Martian costume for Halloween, cinnamon toast, a ragtag soccer team, salad dressing, mud, music and bedtime; that is, the routine of checking under the bed, a bedtime story, hug and kiss, etc. "Just one more glass of water, / and one more time to pee, / and one more check beneath the bed / for monsters—wait for me." A brief, helpful afterword suggests teaching possibilities provided by the text.
The poetry may be hit and miss, but the concept is terrific and the illustrations similarly sublime. (Picture book. 3-6)Pub Date: June 1, 2011
ISBN: 978-1-55451-279-9
Page Count: 32
Publisher: Annick Press
Review Posted Online: May 3, 2011
Kirkus Reviews Issue: May 15, 2011
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by Simon Shapiro ; Sheryl Shapiro ; illustrated by Francis Blake
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by Nora Hilb Simon Shapiro & Sheryl Shapiro & illustrated by Nora Hilb
by John Yunker ; photographed by John Yunker ‧ RELEASE DATE: March 1, 2018
Unable to compete with the many strong bird books available for children
Photographs of 50 birds, one or a pair per page, represent bird species from varying geographic areas and habitats.
The birds range from common North American species such as finches and sparrows to more exotic or remote species, including blue-footed and Nazca boobies, Galápagos hawks, Megallenic penguins, and sulphur-crested cockatoos. While the photographs are striking and serve to illustrate the range of species of birds on the Earth, the pages do not provide enough information to engage. The book begins with a few insipid lines in large type, presumably intended to appeal to beginning readers, “All birds have wings. But not all fly. Some birds swim. Others try.” Each successive page shows one bird, usually identified by a single word and an adjective, sometimes alliterative but sometimes not. The birds are not precisely identified by species or location of origin; this leads to confusion when two birds of the same family but different species are shown and only one is identified, as in “spotted towhee” and “towhee.” The descriptive adjective often seems arbitrary, not unique to that bird: “Spry Sparrow”; “Mysterious Mallard.” This book appears to be a vehicle for the author’s photography, with education a lower priority.
Unable to compete with the many strong bird books available for children . (Informational picture book. 3-6)Pub Date: March 1, 2018
ISBN: 978-1-61822-055-4
Page Count: 64
Publisher: Ashland Creek Press
Review Posted Online: Feb. 2, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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by Amy Blay ; illustrated by Amy Blay ; translated by Susan Allen Maurin ; adapted by MaryChris Bradley ‧ RELEASE DATE: Aug. 28, 2018
Skip.
This board-book retelling of “Little Red Riding Hood” features colorful, retro-style illustrations and a few movable flaps.
This version of the red-caped protagonist sports a distinctive cone-shaped hood as she enacts the familiar motions of the story. The sturdy interactions include a swinging basket, a blanket that covers the wolf on Grandma’s bed, a spinner that depicts the wolf’s dreams; they give younger kids something to manipulate but do not add much to the story. There are regrettable inaccuracies and elisions in Bradley’s adaptation of Maurin’s translation of the original French text. The neck of a bottle protrudes from the basket, which readers are told contains “cake and butter” for Grandma, and the wolf wears a pair of frilly pajamas, which the text calls “one of [Grandma’s] nightgowns.” This quick story ends with the hunter shown wielding a pair of scissors on the wolf’s bulging belly as the text recounts that he “rescued Little Red Riding Hood and her grandmother” (who emerge unscathed with the pull of a tab). One of the main disappointments of this shortened (but still text-heavy) version is that it skips the “Grandma, what big eyes you have!” routine. The publisher recommends an age range of “0-36 months,” which is consistent with the format but not with the audience’s developmental readiness. Companion title Pinocchio, with illustrations by Tiago Americo, is similarly awkward and unsuitable.
Skip. (Novelty board book. 3-5)Pub Date: Aug. 28, 2018
ISBN: 978-2-7338-5625-3
Page Count: 10
Publisher: Auzou Publishing
Review Posted Online: Oct. 27, 2018
Kirkus Reviews Issue: Jan. 1, 2019
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by Géraldine Krasinski ; illustrated by Amy Blay
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