Engaging storytelling in a vivid setting.
The fates of a pair of Chinese master martial artists and the women who love them play out in this two-part historical novel.
Inspired by the 2000 film Crouching Tiger, Hidden Dragon (based on the work of Chinese author Wang Dulu), this book offers two interconnected stories about star-crossed lovers in a 19th-century world of Chinese martial arts, intrigue, and cultural constraints. In “Chiang Shiao-ho and a Willow Tree,” young Chiang rises from humble beginnings to fame as a master martial artist. He is determined to kill his father’s murderers and his childhood foes, including the dangerous patriarch of a feared martial arts school. Chiang’s desire for revenge is complicated by his love for the patriarch’s granddaughter, who has sworn to protect her grandfather with her life. Yu’s (Chinese Mosaic, 2018, etc.) second tale, “Lee Mo-bai and a Living Widow,” takes place many years later. The orphaned son of a wealthy man (Chiang’s sworn brother), Lee is an expert in the literary and martial arts. He diverges from his reluctant path to civil service when he becomes the protector of Yu Ceo-lian, a young woman traveling to meet her betrothed for the first time. The bridegroom-to-be disappears, leaving her, as tradition dictates, to be a “living widow” for life. Although loving Lee, she takes her fate into her own hands, becoming adept at martial arts and seeking to avenge the death of her father. Lee, meanwhile, earns influential friends and powerful enemies. Despite inadvertent repetition, abrupt scene shifts, and distracting grammatical and English usage hitches (“I did not teacher you all my skills”; “He knew he will win”), these stories are rich in character and shaped by both thoughtful moral dilemmas and hyper-dynamic action. While the dual epilogues are anticlimactic, the two moving tales are skillfully propelled by acts of treachery, honor, and duty; the suspenseful appearance of legendary martial arts masters; and the author’s pointed examination of the tragic consequences of endless cycles of revenge and the cultural subordination of women.
Engaging storytelling in a vivid setting.Pub Date: March 29, 2018
ISBN: 978-1-984516-91-6
Page Count: 366
Publisher: XlibrisUS
Review Posted Online: Jan. 4, 2019
Review Program: Kirkus Indie
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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