FOR THE FUTURE OF ISRAEL

Five long, only fitfully fruitful conversations between Israel’s former prime minister who was the long-time rival to, ultimate collaborator with, and successor to the slain Yitzhak Rabin, and a Paris-based former Newsweek correspondent and novelist. Peres reveals a number of fascinating facts of which all but a handful of readers will have been unaware. For example, during Israel’s War of Independence, the Israeli forces executed one of its members allegedly spying for the British, only to learn later that he was innocent. Like Henry Kissinger, Peres has his share of bon mots, such as saying of Yasir Arafat that —when it comes to facts, he prefers to be a sort of Chagall—things can float around.— At times, Peres’s reflections are highly insightful, even profound, such as this on the Jews: —We—re a dissatisfied people, a people that makes demands on itself, a people that the only electricity it knows is high-tension—there is no low tension in Jewish energy.— Unfortunately, he also is sometimes prone, as his critics claim, to viewing both the past and present through rose-colored lenses; for example, he makes the dubious assertion that —when we left power [May 1996], the trust [between Israel and its partners in the peace process] was full. I think even today we enjoy a great deal of trust among the Arabs. Among the Palestinians.” His impressions of world political leaders he has met are both replete with colorful anecdotes and often superficial. Peres and Littell’s book also could have used better organization—their conversations sometimes seem rambling, flitting from topic to topic. Peres, of course, is still too close to his own very eventful life to provide real autobiographical perspective with critical depth. This book, entertaining and occasionally instructive as it is, underscores the need for a good biography of one of Israel’s most important leaders.

Pub Date: May 1, 1998

ISBN: 0-8018-5928-X

Page Count: 224

Publisher: Johns Hopkins Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 1998

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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