A sentimental but unfulfilling portrait.
Debut author Sebban draws on her mother’s recently discovered diary in a series of stories that explore life in 1950s Israel from the perspective of a Jewish graduate student.
The author, a former journalist for the Australian Jewish News, explores her mother’s time in Israel in a series of tales that she calls “creative non-fiction.” Her mother, Naomi Moldofsky (née Gross), would later become an acclaimed economist at the University of Melbourne, but in these chapters, the author focuses exclusively on Moldofsky’s year’s as a 20-something, single, Jewish academic. Apart from family and friends, and economists interested in details pertaining to Moldofsky’s intellectual development at the Hebrew University of Jerusalem, most readers will be interested in what these stories reveal about 1950s Israeli life and culture. Having spent most of her formative years in Australia, Moldofsky provides a perspective from the “Australian eyes” of a Jewish “outsider.” Her eyewitness account of “Arab terrorists…caught in the market,” her interactions with refugees from Yemen, and her grappling with moral quandaries associated with Zionism and ethnic violence will appeal to anyone interested in life in that country and era. Similarly, as a socially active, single woman who ran in Israeli intellectual circles, Moldofsky often crossed paths with well-known cultural, social, and political figures, such as theater director Shmuel Bunim. However, this brief book doesn’t provide much context about Moldofsky’s personal or family history, with the exception of sporadic anecdotes. Indeed, it’s not made clear why she left a stable job, security, and her family in Australia to go to Israel in the first place, as after her arrival there, she frequently laments her financial straits and expresses fears of violence. Although she’s revealed in these stories to have rejected 1950s-era expectations regarding women’s roles, and to have run in sophisticated circles, Sebban offers readers no clear sense of Moldofsky’s political ideology, her views on Zionism, her religious devotion, or her passions—factors that would have given readers a better idea of who she was as a person.
A sentimental but unfulfilling portrait.Pub Date: Feb. 24, 2018
ISBN: 978-1-946124-29-6
Page Count: 98
Publisher: Mazo Publishers
Review Posted Online: May 30, 2018
Review Program: Kirkus Indie
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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