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THIS I KNOW

An overwrought exploration of family and history.

Searching for answers about her mother’s past, a woman visits a psychic and an uncle she barely knows in this literary novel.

In 2010, an Orthodox Jewish woman visits the Manhattan consulting room of psychic Jennifer Rose, once Rosetti. Ever since her mother Rebecca’s death, Ora Neumann, 61, has been sunk in depression and desperately needs to hear her mother’s voice again, although her religion and her husband forbid trafficking with the occult. But she’s disappointed by the session and waits another two years to open her mother’s jewelry box, afraid of its possible secrets. The contents lead Ora to Uncle Henry, 87, whom she remembers only hazily. From him, she slowly extracts her mother’s story. Born in Poland, Rebecca, her brothers, and her fiancé, Shmuel, escaped to America before World War II; Rebecca’s school friend Tsipora “Tsipi” Greenstein stayed behind and survived the Holocaust. In 1947, Rebecca and her now-husband Shmuel, together with Henry and his co-worker Max, visit the thriving Kibbutz Tzofim in Palestine, where Tsipi now lives. Rebecca loves kibbutz life and stays on for a time when Shmuel returns to America and his job as Tsipi and Max begin a romance. Tsipi reveals that the kibbutz shelters a hidden munitions factory turning out bullets for the upcoming war of independence. Other revelations from Henry provide Ora with a new understanding of her mother that finally gives her peace, as she reports in a letter to the psychic. Wachtel (Three for a Dollar, 2017, etc.) taps into the near-universal longing to understand one’s roots. Together with the well-described historical settings, this lends urgency to the book. The book’s lyrical tone, however, can feel overcooked, especially since it’s employed, implausibly, by every character: “Freed, her red auburn ringlets threw sparks into the night air as Tsipi took one last glance up at the moon, as if the two possessed some long-held secret.” 

An overwrought exploration of family and history.

Pub Date: March 15, 2018

ISBN: 978-1-68433-022-5

Page Count: 132

Publisher: Black Rose Writing

Review Posted Online: May 9, 2018

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TRUE BETRAYALS

Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1995

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HOME FRONT

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...

 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 18, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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