THE SHORES OF PARADISE

Like Streshinsky's others (Gift of the Golden Mountain, 1988, etc.): a hefty, quietly narrated, years-spanning tale of love and loss in a rousing setting. Here, the destinies of two women, orphaned in childhood, are entwined with cross-cultural turmoil and the death throes of an independent Hawaii during the years from 1898 to WW I. True Lindstrom, who witnessed the murder of her mother, and gentle half-Hawaiian, half-white Martha Moon, abandoned as a newborn, will meet in a kindly home for unwanted children and, with the dwarf Liko, form a friendship that will last lifelong. Later the tight trio will welcome another—the elegant child Princess Kaiulani (one of the several real people here; the princess was third in line to the throne of Hawaii, although she, like Martha, was only half-Hawaiian). While Monarchists, Reformers, and the ``Missionary Boys'' (descendants of missionaries bent on control of the islands) contend for the body and soul of Hawaii, the four friends mature and wade into trouble and woe. True loses the love of her life to a stupid marriage, but makes a strange one of her own to protect her unborn child by her lover; Liko secretly cherishes a love that dare not speak its name; and Martha haplessly hopes for love and career. Poor Princess Kaiulani will never occupy a throne. It's only after tragic deaths, a period of bitterness, injustice, even violence over control of a ranch, and mistakes all around, that all find love or a kind of peace. A chatty saga (perhaps a bit long-winded) with convincing appreciations of the history and culture of Hawaii.

Pub Date: July 17, 1991

ISBN: 0-399-13568-5

Page Count: 416

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 15, 1991

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An enjoyable, cozy novel that touches on tough topics.

THE AUTHENTICITY PROJECT

A group of strangers who live near each other in London become fast friends after writing their deepest secrets in a shared notebook.

Julian Jessop, a septuagenarian artist, is bone-crushingly lonely when he starts “The Authenticity Project”—as he titles a slim green notebook—and begins its first handwritten entry questioning how well people know each other in his tiny corner of London. After 15 years on his own mourning the loss of his beloved wife, he begins the project with the aim that whoever finds the little volume when he leaves it in a cafe will share their true self with their own entry and then pass the volume on to a stranger. The second person to share their inner selves in the notebook’s pages is Monica, 37, owner of a failing cafe and a former corporate lawyer who desperately wants to have a baby. From there the story unfolds, as the volume travels to Thailand and back to London, seemingly destined to fall only into the hands of people—an alcoholic drug addict, an Australian tourist, a social media influencer/new mother, etc.—who already live clustered together geographically. This is a glossy tale where difficulties and addictions appear and are overcome, where lies are told and then forgiven, where love is sought and found, and where truths, once spoken, can set you free. Secondary characters, including an interracial gay couple, appear with their own nuanced parts in the story. The message is strong, urging readers to get off their smartphones and social media and live in the real, authentic world—no chain stores or brands allowed here—making friends and forming a real-life community and support network. And is that really a bad thing?

An enjoyable, cozy novel that touches on tough topics.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-7861-8

Page Count: 368

Publisher: Pamela Dorman/Viking

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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