A witty and tender story that endears readers to Indian culture and one of their most sacred symbols, the cow.

THE MILK LADY OF BANGALORE

AN UNEXPECTED ADVENTURE

A culture writer and cookbook author leaves New York City to reconnect with her roots in this humorous and heartwarming story about cows, Indian culture, and the strength of female friendship.

Despite being born and raised in India, Narayan (Monsoon Diary: A Memoir with Recipes, 2003, etc.) spent most of her adult life in New York. With her parents and in-laws beginning to age, she decided to pack up and relocate her entire family to Bangalore as a way to be closer to her older loved ones and to reconnect herself and her children to their cultural roots. Everything about their new home seemed different from the familiar comforts of New York, but one thing stood out more than anything else in her new world: India’s sacred cows and the people who care for them—particularly, a local milk lady named Sarala who grazed her small herd of cows across the street from Narayan’s new home. When Narayan decided to take the plunge and buy Sarala’s fresh milk after doing weeks of intensive online and anecdotal research on the subject, the two formed a fast friendship based on their deep personal connection to their shared Indian roots, love of family, interest in food, and, most of all, desire to find just the right cow for Narayan to purchase for Sarala. At once sincere and laugh-out-loud funny, this memoir chronicles a genuine bond between two remarkable women that transcends class, culture, and privilege. In this beautiful examination of the differences between Eastern and Western cultures as told through the eyes of a writer who is uniquely qualified to comment on both, Narayan’s rich and evocative writing transports readers to the busy streets of Bangalore and a fully formed picture of modern India that includes cow urine tablets, bus crashes, and many different kinds of milk.

A witty and tender story that endears readers to Indian culture and one of their most sacred symbols, the cow.

Pub Date: Jan. 23, 2018

ISBN: 978-1-61620-615-4

Page Count: 272

Publisher: Algonquin

Review Posted Online: Nov. 14, 2017

Kirkus Reviews Issue: Dec. 1, 2017

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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