by Shterni Rosenfeld ; illustrated by Jacky Yahri ‧ RELEASE DATE: Nov. 1, 2015
If the early chapters feel padded, by the time readers get to the middle, they may be relieved to know in advance that the...
There are no Nazis in the first 50 pages of this Holocaust tale.
Six-year-old Tuky, growing up in wartime Hungary, learns to embroider. She visits a factory. She eats hot cereal with a little cocoa flower drawn on the top. Invading soldiers are mentioned briefly in passing, and readers who’ve studied the history of Hungary may experience a growing sense of dread. But even they may get distracted when the author lists every item served at a family meal. As Alfred Hitchcock very famously explained, the secret of suspense is making sure the audience knows there’s a bomb under a table; then, even the most banal conversation at that table will be filled with tension. In this book, Rosenfeld forgets to tell anyone about the bomb, so the opening is not suspenseful, just banal. Later sections of the book, however, are genuinely thrilling. The most mundane details suddenly turn ominous. An argument over a milk cow is first comical, then frightening, as the farmers begin to suspect Tuky’s Jewish identity. And Tuky—based on the author’s real-life mother—is a charming protagonist, clever enough to outwit the soldiers but playful enough to say, “I’ll never be too old to stand on my head.”
If the early chapters feel padded, by the time readers get to the middle, they may be relieved to know in advance that the real Tuky survived: too much suspense can be as unbearable as too little. (historical notes, interview, glossary) (Historical fiction. 8-12)Pub Date: Nov. 1, 2015
ISBN: 978-1-929628-85-8
Page Count: 176
Publisher: Hachai
Review Posted Online: Aug. 11, 2015
Kirkus Reviews Issue: Sept. 1, 2015
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by James Patterson & Kwame Alexander ; illustrated by Dawud Anyabwile ‧ RELEASE DATE: Oct. 5, 2020
A stellar collaboration that introduces an important and intriguing individual to today’s readers.
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Two bestselling authors imagine the boyhood of the man who became the legendary boxing icon Muhammad Ali.
Cassius was a spirited child growing up in segregated Louisville, Kentucky. He had a loving home with his parents and younger brother, Rudy. Granddaddy Herman also was an important figure, imparting life lessons. His parents wanted him to succeed in school, but Cassius had difficulty reading and found more pleasure in playing and exploring outdoors. Early on, he and Rudy knew the restrictions of being African American, for example, encountering “Whites Only” signs at parks, but the brothers dreamed of fame like that enjoyed by Black boxer Joe Louis. Popular Cassius was especially close to Lucius “Lucky” Wakely; despite their academic differences, their deep connection remained after Lucky received a scholarship to a Catholic school. When Cassius wandered into the Columbia Boxing Gym, it seemed to be destiny, and he developed into a successful youth boxer. Told in two voices, with prose for the voice of Lucky and free verse for Cassius, the narrative provides readers with a multidimensional view of the early life of and influences on an important figure in sports and social change. Lucky’s observations give context while Cassius’ poetry encapsulates his drive, energy, and gift with words. Combined with dynamic illustrations by Anyabwile, the book captures the historical and social environment that produced Muhammad Ali.
A stellar collaboration that introduces an important and intriguing individual to today’s readers. (bibliography) (Biographical novel. 8-12)Pub Date: Oct. 5, 2020
ISBN: 978-0-316-49816-6
Page Count: 320
Publisher: Jimmy Patterson/Little, Brown and HMH Books
Review Posted Online: Aug. 3, 2020
Kirkus Reviews Issue: Aug. 15, 2020
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by Dav Pilkey & illustrated by Dav Pilkey ‧ RELEASE DATE: Aug. 28, 2012
Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel.
Sure signs that the creative wells are running dry at last, the Captain’s ninth, overstuffed outing both recycles a villain (see Book 4) and offers trendy anti-bullying wish fulfillment.
Not that there aren’t pranks and envelope-pushing quips aplenty. To start, in an alternate ending to the previous episode, Principal Krupp ends up in prison (“…a lot like being a student at Jerome Horwitz Elementary School, except that the prison had better funding”). There, he witnesses fellow inmate Tippy Tinkletrousers (aka Professor Poopypants) escape in a giant Robo-Suit (later reduced to time-traveling trousers). The villain sets off after George and Harold, who are in juvie (“not much different from our old school…except that they have library books here.”). Cut to five years previous, in a prequel to the whole series. George and Harold link up in kindergarten to reduce a quartet of vicious bullies to giggling insanity with a relentless series of pranks involving shaving cream, spiders, effeminate spoof text messages and friendship bracelets. Pilkey tucks both topical jokes and bathroom humor into the cartoon art, and ups the narrative’s lexical ante with terms like “pharmaceuticals” and “theatrical flair.” Unfortunately, the bullies’ sad fates force Krupp to resign, so he’s not around to save the Earth from being destroyed later on by Talking Toilets and other invaders…
Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel. (Fantasy. 10-12)Pub Date: Aug. 28, 2012
ISBN: 978-0-545-17534-0
Page Count: 304
Publisher: Scholastic
Review Posted Online: June 19, 2012
Kirkus Reviews Issue: July 15, 2012
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