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THE ORACLE OF NIGHT

THE HISTORY AND SCIENCE OF DREAMS

A stimulating and informative overview.

A comprehensive consideration of the sleeping mind.

Neuroscientist Ribeiro, founder and vice-director of the Brain Institute at the Universidade Federal do Rio Grande do Norte, in Brazil, offers a capacious examination of the phenomenon of dreaming. The author draws on biology, chemistry, neurophysiology, anthropology, mythology, history, literature, biography, and art—along with myriad examples of dream narratives—to create a rich history of the human mind. What is the purpose of dreaming? Is it “an evolutionary accident,” or does dreaming have implications for survival? Do animals dream? If so, why? Ribeiro reveals that “similar circadian rhythms are found in almost all living beings” and that birds and reptiles experience REM sleep, during which dreams occur. Dinosaurs, from which birds are descended, were capable of dreaming. Ribeiro maintains that prehistoric humans dreamed, perhaps about animals and stone. In antiquity, dreams were interpreted as communications from the dead or from gods—communications that Christianity deemed pagan and blasphemous. Praising Freud for focusing on the significance of dreams in understanding human experience, Ribeiro notes that traumatic dreams are monothematic rather than metaphorical. Dreams experienced by schizophrenic patients often contain more “hostile content” than those of others, and dreams vary from babies to old people, with children’s dreams “often impoverished in emotions and images.” Besides examining dreaming, the author investigates sleep overall, especially the connection of sleep to learning, creativity, and the formation of memories. Scientists differ about what happens in neural synapses during REM sleep; Ribeiro believes that synaptic remodeling occurs, during which some synapses are eliminated and others, strengthened. Although some of the molecular, electrophysiological, biochemical, and morphological discussion is daunting, much of the book is accessible. Ribeiro urges readers to spend a few minutes after waking to recall their dreams and even to engage in lucid dreaming, in which the dreamer exerts control over the dream.

A stimulating and informative overview.

Pub Date: Aug. 17, 2021

ISBN: 978-1-5247-4690-2

Page Count: 480

Publisher: Pantheon

Review Posted Online: June 9, 2021

Kirkus Reviews Issue: July 1, 2021

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THE 48 LAWS OF POWER

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

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STRONG FEMALE CHARACTER

An unflinching self-portrait.

The tumultuous life of a bisexual, autistic comic.

In her debut memoir, Scottish comedian Brady recounts the emotional turmoil of living with undiagnosed autism. “The public perception of autistics is so heavily based on the stereotype of men who love trains or science,” she writes, “that many women miss out on diagnosis and are thought of as studious instead.” She was nothing if not studious, obsessively focused on foreign languages, but she found it difficult to converse in her own language. From novels, she tried to gain “knowledge about people, about how they spoke to each other, learning turns of phrase and metaphor” that others found so familiar. Often frustrated and overwhelmed by sensory overload, she erupted in violent meltdowns. Her parents, dealing with behavior they didn’t understand—including self-cutting—sent her to “a high-security mental hospital” as a day patient. Even there, a diagnosis eluded her; she was not accurately diagnosed until she was 34. Although intimate friendships were difficult, she depicts her uninhibited sexuality and sometimes raucous affairs with both men and women. “I grew up confident about my queerness,” she writes, partly because of “autism’s lack of regard for social norms.” While at the University of Edinburgh, she supported herself as a stripper. “I liked that in a strip club men’s contempt of you was out in the open,” she admits. “In the outside world, misogyny was always hovering in your peripheral vision.” When she worked as a reporter for the university newspaper, she was assigned to try a stint as a stand-up comic and write about it; she found it was work she loved. After “about a thousand gigs in grim little pubs across England,” she landed an agent and embarked on a successful career. Although Brady hopes her memoir will “make things feel better for the next autistic or misfit girl,” her anger is as evident as her compassion.

An unflinching self-portrait.

Pub Date: June 6, 2023

ISBN: 9780593582503

Page Count: 288

Publisher: Harmony

Review Posted Online: March 10, 2023

Kirkus Reviews Issue: April 1, 2023

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