A fun literary remix.
A new spin on the H.G. Wells classic from the genre-hopping Mexican Canadian novelist.
Young 19th-century woman Carlota Moreau has spent her whole life in Yaxaktun, a ranch in northern Yucatán, Mexico, and that’s just fine with her: “I feel as if Yaxaktun is a beautiful dream and I wish to dream it forever,” she tells a visitor to the isolated property. She lives there with her beloved father, Dr. Moreau, whom she considers “the sun in the sky, lighting her days.” They’re not the only ones on the ranch, however—it’s populated by Dr. Moreau’s “hybrids,” part human and part animal, the results of the doctor’s bizarre experiments. Looming over everything is Hernando Lizalde, Dr. Moreau’s patron, who bankrolls the doctor’s laboratory in hopes that he’ll eventually create hybrids that are fit to work on his haciendas, but he seldom visits the ranch. On one of those visits, he brings along Montgomery, a self-loathing, hard-drinking English hunter whom Dr. Moreau hopes to hire as a mayordomo, an overseer of the property and its hybrids. Montgomery takes the job, and six years later things begin to fall apart: Hernando loses patience with the doctor’s slow pace, and his son, Eduardo, visits the ranch and falls for Carlota; the results of their relationship threaten to destroy everything Dr. Moreau has worked for. Meanwhile, Carlota begins to question her adored father’s experiments; the doctor acknowledges the creatures suffer greatly but insists that “pain must be endured, for without it there’d be no sweetness.” Moreno-Garcia’s novel starts a little slowly, but there’s a reason for that—the setup is crucial to the book’s action-packed second half, and the payoff is worth it. Moreno-Garcia’s previous work has spanned genres—horror in Mexican Gothic (2020), noir in Velvet Was the Night (2021)—and in this volume, she deftly combines fantasy, adventure, and even romance; the result is hard to classify but definitely a lot of fun. This isn’t the first book to riff on H.G. Wells’ The Island of Doctor Moreau (1896), but it’s definitely one of the better ones.
A fun literary remix.Pub Date: July 19, 2022
ISBN: 978-0-593-35533-6
Page Count: 320
Publisher: Del Rey
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
One of the noblest characters in American literature gets a novel worthy of him.
Mark Twain's Adventures of Huckleberry Finn as told from the perspective of a more resourceful and contemplative Jim than the one you remember.
This isn’t the first novel to reimagine Twain’s 1885 masterpiece, but the audacious and prolific Everett dives into the very heart of Twain’s epochal odyssey, shifting the central viewpoint from that of the unschooled, often credulous, but basically good-hearted Huck to the more enigmatic and heroic Jim, the Black slave with whom the boy escapes via raft on the Mississippi River. As in the original, the threat of Jim’s being sold “down the river” and separated from his wife and daughter compels him to run away while figuring out what to do next. He's soon joined by Huck, who has faked his own death to get away from an abusive father, ramping up Jim’s panic. “Huck was supposedly murdered and I’d just run away,” Jim thinks. “Who did I think they would suspect of the heinous crime?” That Jim can, as he puts it, “[do] the math” on his predicament suggests how different Everett’s version is from Twain’s. First and foremost, there's the matter of the Black dialect Twain used to depict the speech of Jim and other Black characters—which, for many contemporary readers, hinders their enjoyment of his novel. In Everett’s telling, the dialect is a put-on, a manner of concealment, and a tactic for survival. “White folks expect us to sound a certain way and it can only help if we don’t disappoint them,” Jim explains. He also discloses that, in violation of custom and law, he learned to read the books in Judge Thatcher’s library, including Voltaire and John Locke, both of whom, in dreams and delirium, Jim finds himself debating about human rights and his own humanity. With and without Huck, Jim undergoes dangerous tribulations and hairbreadth escapes in an antebellum wilderness that’s much grimmer and bloodier than Twain’s. There’s also a revelation toward the end that, however stunning to devoted readers of the original, makes perfect sense.
One of the noblest characters in American literature gets a novel worthy of him.Pub Date: March 19, 2024
ISBN: 9780385550369
Page Count: 320
Publisher: Doubleday
Review Posted Online: Dec. 16, 2023
Kirkus Reviews Issue: Jan. 15, 2024
PERSPECTIVES
PERSPECTIVES
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