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VELVET WAS THE NIGHT

A noir masterpiece.

An enforcer and a secretary search for a missing student in this explosive noir novel set in 1971 Mexico.

“Life’s a mess.” That’s the motto of Elvis, a 21-year-old man working as an enforcer for the Hawks, a government-sponsored black-ops group whose mission is to spy on, suppress, and harass left-wing protesters and activists. Elvis is in thrall to the group’s leader, El Mago, a mysterious but charismatic figure: “He was Elvis’s god, but a dark god. The god of the Old Testament, that, as a good Catholic boy, he’d learned to fear.” El Mago gives Elvis an assignment: Find a young college student named Leonora who’s gone missing along with some photos El Mago desperately wants. Elvis’ search leads him to a 30-year-old legal secretary named Maite who agreed to feed Leonora’s cat while she was gone and who is herself looking for Leonora. Moreno-Garcia follows both Elvis and Maite, who have a few things in common—they’re both avid readers, with Maite favoring romance magazines in particular, and they’re both suckers for old crooner-style music. They’re also both somewhat lonely, with Elvis’ only friend in the group out of commission after having been attacked at a protest and Maite despairing about ever finding a boyfriend. As they separately search for the missing Leonora and Elvis keeps an eye on Maite, they encounter a host of leftist activists, artists, secret police officers, a charming antiques store owner, and more, as their paths come ever closer to crossing. It’s hard to describe how much fun this novel is—Moreno-Garcia, whose Mexican Gothic (2020) gripped readers last year, proves to be just as good at noir as she is at horror. The novel features memorable characters, taut pacing, an intricate plot, and antiheroes you can’t help but root for.

A noir masterpiece.

Pub Date: Aug. 17, 2021

ISBN: 978-0-593-35682-1

Page Count: 304

Publisher: Del Rey

Review Posted Online: June 15, 2021

Kirkus Reviews Issue: July 1, 2021

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DAUGHTER OF MINE

Small-town claustrophobia and intimacies alike propel this twist-filled psychological thriller.

The loss of her police officer father and the discovery of an abandoned car in a local lake raise chilling questions regarding a young woman’s family history.

When Hazel Sharp returns to her hometown of Mirror Lake, North Carolina, for her father’s memorial, she and the other townspeople are confronted by a challenging double whammy: As they’re grieving the loss of beloved longtime police officer Detective Perry Holt, a disturbing sight appears in the lake, whose waterline is receding because of an ongoing drought—an old, unidentifiable car, which has likely been lurking there for years. Hazel temporarily leaves her Charlotte-based building-renovation business in the capable hands of her partners and reconnects with her brothers, Caden and Gage; her Uncle Roy; her old fling and neighbor, Nico; and her schoolfriend, Jamie, now a mother and married to Caden. Tiny, relentless suspicions rise to the metaphorical surface along with that waterlogged vehicle: There have been a slew of minor break-ins; two people go missing; and then, a second abandoned car is discovered. The novel digs deeper into Hazel’s family history—her father was a widow when he married Hazel’s mother, who later left the family, absconding with money and jewels—and Miranda, a consummate professional when it comes to exposing the small community tensions that naturally arise when people live in close proximity for generations, exposes revelation after twisty revelation: “Everything mattered disproportionately in a small town. Your success, but also your failure. Everyone knows might as well have been our town motto.”

Small-town claustrophobia and intimacies alike propel this twist-filled psychological thriller.

Pub Date: April 9, 2024

ISBN: 9781668010440

Page Count: 368

Publisher: Marysue Rucci Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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