by Simon Adams ‧ RELEASE DATE: Nov. 1, 1999
With an emphasis on Western “makers” of the millennium, and, perhaps inevitably, deep coverage of the last 200 years and fleeting coverage of the first few centuries, this volume offers brief biographical sketches of 1,000 people who had an impact on the last 1,000 years. Profusely illustrated and printed on heavy glossy stock, this is a coffee table book for children, meant to be dipped into rather than read from start to finish. Organized chronologically, with a chapter for each century, the parade of people is given context through a timeline of major events, with those of particular importance discussed in special boxes. As with any effort of this kind, there are surprising omissions (the publisher is creating a website for readers’ own suggestions) and inclusions, a Western predominance that grows more pronounced in the later centuries, and an emphasis on sports and celebrity that finishes off the last few decades. The selection can seem highly subjective and provocatively arbitrary, e.g., the US presidents from Nixon back to Teddy Roosevelt are all covered, but none after Nixon. Still, there is a clear effort to include a wide variety of countries and cultures, and this ambitious effort will be the starting point for many historical journeys. (chronology, index) (Nonfiction. 8-12)
Pub Date: Nov. 1, 1999
ISBN: 0-7894-4709-6
Page Count: 256
Publisher: DK Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1999
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by Michael Bad Hand Terry ‧ RELEASE DATE: Aug. 23, 1999
paper 0-395-97499-2 Introducing this overview of everyday life in a Plains Indian village circa 1868 is a map locating tribal lands of the Plains Indians. Contemporary Native Americans pose as models depicting the full regalia of the Cheyenne, Lakota Sioux, Crow, and Blackfeet. In re-enactment style, reminiscent of a visit to a living history village, each “actor” then personifies a member in the family of Real Bird, a northern Cheyenne warrior from the plains of southeastern Montana. A staged full-color photograph of family members engaged in role-specific work, leisure, food preparation, warfare, trade, and ritual is at the center of each spread, surrounded by additional text and captions that expand each topic. Sees the Berries Woman and Pretty Plume Woman demonstrate the construction of a tipi in a frame-by-frame, five-step procedure; warriors and chiefs hold council in a pre-battle ceremony; Timber Leader shows off a bearskin that gives him healing powers. Artifacts such as beadwork, weapons, tools, toys, and medicine objects lend authenticity to this informative survey and history of the culture. (chronology, glossary, index) (Nonfiction. 9-12)
Pub Date: Aug. 23, 1999
ISBN: 0-395-94542-9
Page Count: 48
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1999
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by Jeanne Lee ‧ RELEASE DATE: Aug. 1, 1999
A busy page design—artily superimposed text and photos, tinted portraits, and break-out boxes—and occasionally infelicitous writing (“Trumpeter Dizzy Gillespie became . . . bandleader of the quintet at the Onyx Club, from which bebop got its name”) give this quick history of jazz a slapdash air, but Lee delves relatively deeply into the music’s direct and indirect African roots, then goes beyond the usual tedious tally of names to present a coherent picture of specific influences and innovations associated with the biggest names in jazz. A highly selective discography will give readers who want to become listeners a jump start; those seeking more background will want to follow this up with James Lincoln Collier’s Jazz (1997). (glossary, further reading, index) (Nonfiction. 9-11)
Pub Date: Aug. 1, 1999
ISBN: 0-8239-1852-1
Page Count: 64
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1999
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