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DEMON OF THE AIR

Levack’s colorful winner of the CWA Debut Dagger Award will satisfy every appetite for information about this fascinating...

An Aztec slave must unravel the mystery surrounding an untimely and embarrassing death in 1517, or face the wrath of Montezuma.

Yaotl, narrator and slave to the Chief Priest Lord Tlilpotonqui (“He Who Is Feathered Black”), is assisting a common man named Handy with a human sacrifice to the Great Pyramid. Their sacrifice, known as a Bathed Slave, is far from the specimen of human perfection stipulated by the merchants. Before the ceremony can be completed, he breaks free, utters a threat—or perhaps a prophecy—and leaps to his death, catching everyone off guard. His carelessness earns Yaotl an audience with the imperious Emperor Montezuma, who demands that he learn the story behind the suicidal slave. Montezuma has been plagued by restless dreams of late and by the mysterious prison escape of several sorcerers. Sorcerers, the legend goes, can change themselves into various creatures under cover of darkness. Montezuma suspects a connection between incidents. Yaotl must journey far across the empire to discover the answers (Levack provides detailed maps). His episodic odyssey through diverse villages with exotic names provides as much historical arcana as clues to the mystery. Readers will eventually learn why he’s been reduced from priesthood to slavery.

Levack’s colorful winner of the CWA Debut Dagger Award will satisfy every appetite for information about this fascinating civilization, but may disappoint fans seeking a stronger mystery.

Pub Date: Sept. 26, 2005

ISBN: 0-312-34834-7

Page Count: 320

Publisher: Dunne/Minotaur

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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THE TATTOOIST OF AUSCHWITZ

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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